Winterberg: Rhapsody
Imported and often ships in 2-3 weeks, but may take up to three months.
- Composer: Hans Winterberg (1901-1991)
- Instrumentation: Piano, Trombone
- Work: Rhapsody (1951)
- ISMN:
- Size: 8.9 x 12.0 inches
Description
Hans Winterberg, born in Prague in 1901, belonged to the group of young Czech composers following in the footsteps of Leos Janáček, (who died in 1928), who had received their cultural formative years in the final years of the Danube Monarchy. On the one hand, they took part in a process of national self-discovery, which was politically sealed with the attainment of state sovereignty by Czechoslovakia at the end of the First World War in 1918, but on the other hand they moved intellectually in a melting pot of influences ranging from Mahler and the Second Viennese School, which was strongly influential in Prague, to French Impressionism and Neoclassicism and German New Objectivity. Hans Winterberg, who had studied with Alexander Zemlinsky and Alois Hába, was one of the few composers of Jewish descent of this generation who survived the Holocaust and was able to further develop this specific Czech modernism in the post-war period. Shortly before the Communists seized power in 1948, he emigrated to Munich, where he enjoyed an impressive career in the years after 1950, with performances by the Munich Philharmonic Orchestra, renowned ensembles and soloists, for which he composed an impressive series of chamber music works. A treasure that is now being published for the first time in a cooperation between the Exilarte Center of the University of Music and Performing Arts Vienna and Boosey & Hawkes. The Rhapsody was composed in 1951 at the height of Winterberg's new start in Munich. in terms of form and substance, it is located between a sonatina and a sonata and has some typical Winterberg characteristics: melodies and rhythms borrowed from Czech folklore and an impulsiveness and exploration not unlike Hindemith chamber music.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.