Wagner: Supplement
Complete Works Volume 21
Imported and often ships in 2-3 weeks, but may take up to three months.
- Composer: Richard Wagner (1813-1883)
- Editor: Egon Voss
- Binding: Hardcover
- ISMN:
- Size: 10.7 x 14.8 inches
- Pages: 332
Description
The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner‘s work more accessible for research and performance, but the edition only reached 10 volumes – some with grave shortcomings – and was discontinued after Balling‘s death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages. This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions; these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works – some relatively unknown – and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner‘s compositional intentions.
Contents:
- Vorwort
- Generelles zur Wiedergabe der Dokumente and Texte -Abkürzungen and abgekürzt zitierte Literatur
- NACHTRÄGE
- Zu Band 4 Der fliegende Holländer WWV 63
- Metronomangaben der Fassung des Klavierauszuges von 1844
- Zu Band 8 Tristan and Isolde WWV 90 -Spätere Änderungen
- Zu Band 10 Das Rheingold WWV 86A
- Konzert-Arrangements 1862
- Zu Band 11 Die Walküre WWV 86B
- Zu den Konzert-Arrangements 1862
- Zu Band 12 Siegfried WWV 86C
- Zu den "Schmiedeliedern"
- Zu Band 13 Götterdämmerung WWV 86D
- A Concerto Arrangements 1875
- B Verlängerung des "Trauermarschs" 1876
- C Trennung von Vorspiel and 1. Aufzug
- Zu Fanfaren zum Ring des Nibelungen
- Zu Band 14 Parsifal WWV 111
- A Vorspiel, Erste Fassung 1878
- B Chöre aus dem 1. Aufzug, Einrichtung 1880
- Zu Band 15 Kompositionen für das Theater
- A Arie zu Joseph Weigls Oper "Die Schweizerfamilie" WWV 45
- Kompositionsentwurf
- B Männerlist größer als Frauenlist or Die glückliche Bärenfamilie WWV 48
- Kompositionsentwurf
- C Lieder zu Theaterstücken Karl von Holteis
- a Wagners Notate WWV 49 MUSIK Id and i
- b Nicht durch Notate Wagners belegte Lieder in Holteis Veröffentlichung
- Zu Band 16 Chorwerke
- So wär' verloren der völker ehre (nicht in WWV)
- Zu Band 17 Klavierlieder
- A Lied WWV 7
- Skizzen
- B Es ist bestimmt in Gottes Rat WWV 92
- Skizzen
- Zu Band 18, I Orchesterwerke
- A Ouvertüre zu Raupachs "König Enzio" WWV 24A
- Klavierauszug zu zwei Händen
- B Ouvertüre zu Raupachs "König Enzio" WWV 24A
- Klavierauszug zu vier Händen
- Zu Band 18, II Orchesterwerke
- Sinfonien WWV 78
- Skizzen
- Zu Band 18, III Orchesterwerke
- Romeo and Julie WWV 98
- Skizzen
- Zu Band 19 Klavierwerke -A Fragment eines mutmaßlichen Klavierwerks in G Major [1830–1831] (nicht in WWV)
- B Polonaise für Klavier zu zwei Händen WWV 23A
- Zu Band 20, III Tannhäuser and der Sängerkrieg auf Wartburg, Klavierauszug
- Zu den Einzelausgaben
- Zu Band 23 Dokumente and Texte zu "Rienzi, der Letzte der Tribunen"
- Prosaskizze
- STUDIEN
- A Kontrapunktübungen [1831–1832]
- B Vierstimmige Doppelfuge WWV 19B
- C An Theodor Apel
- KLEINERE WERKE
- Zum Sechselüten (1854)
- "Notenbriefchen" für Mathilde Wesendonck [1856–1857]
- Satz aus Tristan [1858]
- Thema in A-flat Major WWV 93 [1858/1883] (fälschlich Porazzi-Thema genannt)
- Der Worte viele sind gemacht (Kraft-Lied) WWV 105 (1871)
- Kinder-Katechismus zu Kosel's Geburtstag WWV 106A
- Fassung 1873
- Kinder-Katechismus zu Kosel's Geburtstag WWV 106B
- Fassung 1874
- Pour votre Album (Anticipation d'un trait du 2me acte de "Parsifal") [1876–1877]
- Willkommen in Wahnfried, du heil'ger Christ WWV 112 (1877)
- Ihr Kinder, geschwinde, geschwinde WWV 113 (1880)
- Melodie der Porazzi (1882)
- Seiner edlen Freundin Gräfin d'Almerita Tasca (1882)
- Versuch einer Harmonisation der Melodie von R. Wagner, der Gräfin d'Almerita Tasca gewidmet (Joseph Rubinstein) (1882)
- Großer Joukowski-Marsch (1883)
- KRITISCHER BERICHT UND DOKUMENTATION
- ANHANG
- Separate Albumblätter, Eintragungen in Alben and Stammbücher, albumartige Eintragungen in Briefen and auf Photographien
- Abkürzungen Autographenhandel
- Abkürzungen and abgekürzt zitierte Literatur
- Register
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Wagner: Supplement
