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BA6995
This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clercs 1740 print of Sonatas I to VI an edition probably made without the composers consent, the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision.
The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation.
Category: Antonio Vivaldi, Baroque Era, Bettina Hoffmann, Cello, Cello & Keyboard, Strings
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score Facsimile of the Autograph Hardcover Orchestral Parts Paperback Performance / Playing Score Score (Full Score) |
Set of Parts Solo Part with Piano Reduction Study Score Vocal Score Wind Set With Audio With / Without Fingering (Markings)
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