Trentadue: The Mind and Spirit Upon Earth
Expected to ship in 1-2 weeks.
- Composer: Josh Trentadue
- Format: Score & Set of Parts
- Instrumentation: Cello, Vibraphone
- Work: The Mind and Spirit Upon Earth (2025)
- Size: 8.9 x 12.0 inches
- Pages: 15
Description
In 2019, composer Kevin Day created a stunningly beautiful & contemplative chamber duet for violin & percussion that was inspired by meditation. The resulting piece, The Mind is Like Water , uses a wide range of timbres & textures to create unstable currents of energy that eventually arrive to peaceful tranquility.
Rediscovering this composition years later, after having undergone my own journey with meditation, began to raise some questions that I hadn't thought of before: What compels someone to seek meditation? What guides them to finding serenity? What personal experiences could someone bring to their meditative journey? How does this change over time?
Inspired by and in reaction to Kevin's piece,The Mind and Spirit Upon Earth is an exploration of these questions. It focuses in particular on meditation from the perspective of nature - that is, our connection with the earth itself. Like Kevin's piece, this duet is written for a string instrument & percussion which creates turbulent waves of energy that gradually arrives to peaceful tranquility. I thought that the richer, sonorous resonance of the cello, balanced with the warmest sounds of the vibraphone, created an opportunity to evoke ethereal timbres & emotional lyricism against passages influenced by jazz as well as earlier eras of classical music.
Thomas Hardy's poem "The Darkling Thrush", which portrays discovering hope against a desolate landscape, also serves as a loose inspiration for this piece. Hardy's strikingly realistic & breathtaking depictions of nature, as well as the speaker's own despair upon witnessing such bleak surroundings as depicted in the poem, guides the search for answers to the questions posed in this piece. Emotional & musical catharsis is therefore earned from two different perspectives: the speaker's musings of unseen hope, and achieving a spiritual level of peaceful tranquility through meditation.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



