Reed: Suite Concertante (Version for Harp & String Orchestra)
Expected to ship in about a week.
- Composer: Alfred Reed (1921-2005)
- Instrumentation (this edition): Harp, String Orchestra
- Originally for: Chamber Ensemble
- Work: Suite Concertante (1970)
- UPC:
Description
SUITE CONCERTANTE was originally written for an orchestra of eight celli and double bass, and the work was premiered on April 19th, 1970 in this form. Some years later, Alfred Reed re-scored the second movement of this five-movement work for string orchestra and harp, and this version was premiered in 1976 with Dr. Lucas Drew conducting the Bicentennial Chamber Orchestra of Miami. Then, in 1981, Lucas Drew, now president of the American String Teachers Association (ASTA), revisited the work, suggesting to Alfred Reed that he re-score the remaining four movements also for string orchestra, though the harp is omitted for those movements. It is this work for string orchestra, with harp included in the 2nd movement, that is available here from the publisher. The music consists of five individual movements of widely varying character, with no special thematic interconnections between them other than the fact that the fourth movement, "Chorale," was designed to lead directly into the fifth, and, in its closing measures, foreshadows the main theme of the movement to come.
Movements: I. Prelude and Fugue, II. Siciliana Notturno, III. Scherzando Espagnole, IV. Chorale, V. Toccata La Rocca.
String count of 8-8-5-5-5 included in the set.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.