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Nicholas White

N. White: In Memoriam (Version for Solo Organ)

$ 15.25
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MorningStar Music Publishers  |  SKU: 10-488  |  Barcode: 688670316098
  • Composer: Nicholas White (1967-)
  • Instrumentation (this edition): Organ
  • Originally for: Organ 4-Hands
  • Work: In Memoriam (2024)
  • Size: 8.9 x 12.0 inches

Description

The piece is dedicated to the memory of Charles Callahan and Rachel Laurin. IN MEMORIAM is the fourth commission White has completed for the Chenaults and is based upon another of his compositions from SONGS OF INNOCENCE, a cycle of eighteen songs that sets William Blake's poetry. The musical material in this organ duet comes from the seventh song in the cycle entitled "The Chimney Sweeper." The poem is filled with poignancy, beginning with the lines, "When my mother died, I was very young," and White's music heightens the emotional impact upon the listener. The piece begins with a gently undulating figure in E-flat Major, against which a rich melody in the tenor register sounds forth on thick eight-foot diapason tone. Melodies and countermelodies pervade the rich harmony with busy triplet figures on flutes and mutations in the middle section adding questioning and answering motifs which intrude upon the unceasing harmonic undertow. This resolves into a final statement of the main melody, interwoven with countermelodies, taking the piece to its calm conclusion.

MorningStar Music Publishers

N. White: In Memoriam (Version for Solo Organ)

$ 15.25

Description

The piece is dedicated to the memory of Charles Callahan and Rachel Laurin. IN MEMORIAM is the fourth commission White has completed for the Chenaults and is based upon another of his compositions from SONGS OF INNOCENCE, a cycle of eighteen songs that sets William Blake's poetry. The musical material in this organ duet comes from the seventh song in the cycle entitled "The Chimney Sweeper." The poem is filled with poignancy, beginning with the lines, "When my mother died, I was very young," and White's music heightens the emotional impact upon the listener. The piece begins with a gently undulating figure in E-flat Major, against which a rich melody in the tenor register sounds forth on thick eight-foot diapason tone. Melodies and countermelodies pervade the rich harmony with busy triplet figures on flutes and mutations in the middle section adding questioning and answering motifs which intrude upon the unceasing harmonic undertow. This resolves into a final statement of the main melody, interwoven with countermelodies, taking the piece to its calm conclusion.

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