Jazz Harmony: Think - Listen - Play - A Practical Approach
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Shipping Policy- Language: English
- ISMN:
- Size: 6.8 x 9.5 inches
- Pages: 656
How do we bridge the gap between theory and the music we love? This book aims to establish as close a relationship as possible between theory, the ear and our instrument. 'Jazz Theory - Think Listen Play' is a comprehensive approach to improvisation, translating knowledge into sound, developing out musical imagination and finding our 'inner voice', which then guides us on our instrument. It will be a rewarding journey for any aspiring musician, music teacher and Jazz player. Always remember - there is no truth in theory, only in music. Enjoy!
Free audio tracks may be downloaded from www.schott-music.com/online-material. (For voucher code, please refer to Audio Track List in book.) Additional free resources for further study are available at schott-music.com/shop/326750
Contents:
- Why yet another Harmony Book?
- Think:
- First Steps
- Tonality
- Chord Symbol Notation
- Modality
- The Lead Sheet
- Diatonic Harmony in Major Keys
- The Major/Minor System
- The II-V-I Progression
- Scales, Chord Tones and Tensions
- Secondary Dominants
- Scales for Secondary Dominants
- Tritone Substitution
- Extended Dominants
- The Chromatic Dominant System
- Secondary and Substitute II-Vs
- Dimished Seventh Chords
- Modal Harmony
- Modal Interchange
- The Blues
- The Turnaround
- Guide Tone Lines
- Chromaticism
- Form
- The Motive
- Harmonic and Melodic Rhythm
- Melodic Contour and Climax
- "Saving All My Love for You"
- Form and Improvisation
- Analysis
- "All of Me"
- "Round Midnight"
- "Nardis"
- Rhythm Changes
- Modulation
- "All The Things You Are"
- "Stella By Starlight"
- "Mornin"
- "Maiden Voyage"
- Listen:
- Ear Training-a Musician's Nightmare
- The Inner Voice
- If you Wanna Hear It, You Gotta Feel It!
- Transcription
- Play:
- Improvisation
- Play-Alongs
- Guide Tone Lines Again
- Licks and Tricks
- Playing the Form
- Postlude
- Appendix
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
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Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
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With Audio
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With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
