Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile of the Autograph These are hardcover, research-quality reproductions of the original hand-written scores from the composer.
Hardcover Some publishers print a hardbound, linen-covered version in addition to the standard paperback. The music inside is identical. These editions are beautiful though rarely cheap.
Orchestral Parts Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score For chamber pieces, playing scores have all of the parts on one system. There are not separate parts for each player.
Score (Full Score) For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Set of Parts For ensemble music, this indicates that there are separate parts for each player.
Solo Part with Piano Reduction For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
VocalScore A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings) Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Surely everyone is familiar with the Oboe Concerto in C Major , Hob. VIIg:C1. It occupies a special place in the oboe literature, indeed in the entire woodwind literature of the 18th century. Its scope and its wealth of contrasting moods and melodies are exceptional and unparalleled in classical music.
The authorship of the Oboe Concerto remains unclear to this day. None of the surviving manuscripts contains an author's name. Only in a Dresden manuscript is there a reference to Haydn, whose name appears above several other crossed-out or scratched-out names. Conjectures range from Ignaz Malzat (MGG/Haynes catalog) to Karl Stamitz to prominent representatives such as Beethoven and Mozart.
The origin of the Oboe Concerto is also obscure. It probably dates from around 1800, and no original cadenza has survived. But thanks to the famous composer and former oboist of the Vienna Philharmonic, Alexander Wunderer, who arranged the work, prepared a piano reduction and provided a virtuoso solo cadenza, Hob. VIIg:C1 has become the classic "Haydn Concerto" of the oboe repertoire.