Epiphany to All Saints
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- Editors: Malcolm Archer (1952-), John Scott
- Format: Paperback
- Instrumentation: SATB Choir, Organ (or Piano)
- Work Languages: English, German, Latin
- ISBN:
- Size: 6.9 x 10.0 inches
- Pages: 272
Description
A uniquely accessible and comprehensive resource for use in church services and concerts throughout the Church's year. The volume's 50 SATB pieces, both accompanied and unaccompanied, are suitable for choirs of all sizes and abilities. BL Provides an excellent choice of pieces for the Principal Feasts BL champions new, approachable, and unjustly neglected repertoire spanning all periods and traditions, whilst avoiding widely available or difficult music BL includes many previously unpublished or newly commissioned anthems, arrangements, and editions by important composers and church musicians BL contains useful musical and liturgical introductions in addition to full indexes, glossaries of additional uses for the repertoire, and listings of other suitable pieces not included in the book.
- da Palestrina, adapted Jackson and Moore: Arise, Shine O Jerusalem
- da Palestrina, adapted by Jackson and Moore: Behold the Lord, the ruler is come
- Archer: Bethlehem, of noblest cities
- Archer: Brightest and best of the sons of the morning
- Skempton: It was a star
- Crotch, organ part trans. Scott: Lo! star-led chiefs
- Clemens non Papa, ed. Morris: Magi veniunt ab oriente
- Williams: Surge Illuminare
- Lole: The Journey
- Marenzio, ed. Morris: Tribus miraculis
- Byrd: Hodie beata Virgo
- Eccard: Maria das Jungfräuelein
- Moore: Nunc Dimittis
- Tallis, ed. Rice: Nunc Dimittis
- Flood: Phos Hilaron
- Archer: Prayer for the blessing of light
- Anon, arr. Scott and Archer: Angelus ad Virginem
- Elgar: Ave, Maria
- Crump: Ave Maris Stella
- Hassler, ed. Rutter: Dixit Maria
- Arr. Wood: Hail! Blessed Virgin Mary
- de Victoria, ed. Morris: Ne timeas Maria
- Scott: Nova! nova!
- Handl, called Gallus; ed. Morris: Ascendens Christus
- Bullard: Hail the day that sees him rise
- Amner, ed. Greening: He that descended
- Bingham: O clap your hands
- Purcell, ed. Wood: O God, the King of glory
- Praetorius, ed. Morris: The Lord ascendeth up on high
- Lloyd: Gracious Spirit, Holy Ghost
- Howells, arr. and descant by Archer: Holy Spirit, ever dwelling
- Carter: Holy Spirit, truth divine
- Ledger: If ye love me
- Martinson: O Spirit all-embracing
- Gibbons, ed. Morris: Song 44 (Come, Holy Ghost)
- Ferguson: Spiritus intus alit
- chant, trans. Scott and Archer: Veni creator Spiritus
- chant, harmonized by Scott: Come, Holy Ghost
- chant, trans. Scott and Archer: Veni Sancte Spiritus
- chant, arranged by Scott: Come, thou Holy Spirit
- Mathias: As truly as God is our Father
- Hildegard, ed. Morris: Laus Trinitati
- Wood: Oculi omnium
- Archer: O trinity, most blessed light
- Rachmaninoff: The Cherubic Hymn
- Tallis, ed. Milsom: With all our hearts
- Byrd, ed. Morris: Beati mundo corde
- Vaughan Williams, arr. Ley: For all the Saints
- Whitlock: Glorious in Heaven
- Willan: O King all glorious
- Vaet, ed. Morris: O quam gloriosum est regnum
- Harris: O what their joy and their glory must be
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Epiphany to All Saints
