Easy Concert Pieces - Recorder Volume 3
21 Pieces from 5 Centuries
Expected to ship in 1-2 weeks.
- Editor: Elisabeth Kretschmann
- Format: Book & Audio Access
- Instrumentation: Piano, Soprano (Descant) Recorder
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 56
Description
The Easy Concert Pieces series has the right pieces ready for the first concerts. Easy to intermediate original compositions and arrangements for descant recorder and piano provide a cross section of the different epochs, from the Renaissance to the modern era. Each piece has been recorded, both in full and playback versions (piano accompaniment). The audio files can be downloaded with a voucher code (in the book).
Volume 3 ultimately contains works which exploit the full tonal range. The pieces, some of which are quite long, allow for a musically differentiated work and encourage the player's own interpretation and expressiveness.
Contents:
- Tomaso Cecchino (1583 –1644) 1. Sonata terza
- Girolamo Frescobaldi (1583 –1643): Corrente
- Johann Christoph Pepusch (1667–1752): Adagio (from / aus: Sonata No. 2 in D Minor / d Minor)
- Diogenio Bigaglia (ca. 1676 – ca. 1745): Allegro (from / aus: Sonata A Minor / a Minor)
- Jean Baptiste Loeillet (1680 –1730) 5. Allegro (from / aus: Sonata C Major / C Major)
- Louis de Caix d'Hervelois (ca. 1680 –1759): Tambourin (from / aus: Suite, Op. 6, No. 4
- Georg Philipp Telemann (1681–1767): Siciliana (from / aus: Partita No. 2 in G)
- Georg Philipp Telemann: Aria (from / aus: Partita No. 2 in G)
- Joseph Haydn (1732–1809): Andante (from: Surprise Symphony, No. 94 / aus: Sinfonie mit dem Paukenschlag, No. 94)
- James Hook (1746 –1827): Andante (from / aus: Sonata G Major / G Major)
- Luigi Boccherini (1743 –1805): Minuet / Menuett
- Wolfgang Amadeus Mozart (1756 –1791): The Bird Cather's Song / "Der Vogelfänger bin ich ja" (from: The Magic Flute / aus: Die Zauberflöte)
- Ludwig van Beethoven (1770 –1827): Für Elise (Theme / Thema)
- Georges Bizet (1838 –1875): Habanera
- Edward MacDowell (1860 –1908): To a Wild Rose (from: Woodland Sketches / aus: Amerikanische Wald-Idyllen, Op. 51, No. 1)
- Mátyás Seiber (1905 –1960): Ragtime
- Hans Posegga (1917–2002): The Mouse / Die Maus (from / aus: "Die Sendung mit der Maus")
- Werner Rottler (1939 –2012): Meadow in the Morning Sun / Wiese in der Morgensonne
- Rainer Mohrs (*1953): Feeling Blue
- Rainer Mohrs: Feeling Happy
- Hans-Georg Lotz (1934 – 2001): The Bat's Swing / Fledermaus-Swing
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
