Czerny: The Art of Finger Dexterity, Op. 740 (699)
Expected to ship in 2-3 weeks.
Shipping Policy- Composer: Carl Czerny (1791-1857)
- Instrumentation: Piano
- Work: The Art of Finger Dexterity, Op. 740
- ISMN:
- Pages: 180
Description
Contents
Book I
- Action of the fingers, the hand quiet
- Passing the first finger under the thumb
- Clearness in rapidity
- Light motion in quiet staccato
- Evenness in double passages
- Clarity in arpeggiated passages
- Changing the fingers on one and the same key
- Light action of the left hand
Book II
- Light staccato
- Exercise in thirds
- Readiness in changing fingers
- Flexibility of the left hand
- The greatest possible fluency
- Arpeggiated passages
- Extension with great strength
- Changing the fingers in rapid playing
Book III
- Minor scales in rapid tempo
- Crossing the hands quietly and with a delicate touch
- Extension with a quiet hand
- Double octaves
- The same movement in each hand
- Trill exercise
- Light touch in the fingers of the left hand
- The thumb on the black keys, the position of the hand perfectly quiet
Book IV
- Clarity in running passages
- The utmost velocity in chord passages
- Independence of the fingers
- A quiet hand, the fingers active to the utmost
- Mordent exercise for the right hand
- Developing a firm touch
- Practice in the passing under of the thumb
- Uniformity in raising the fingers
Book V
- Octave skips, the hand light
- Trill in thirds
- Changing the fingers on one and the same key
- Light arm, the fingers flexible
- Clearness in great strength
- Proportionate raising of both hands
- Exercise in thirds
- Light breaking off or detaching of chords
- Action of the fingers of the left hand
Book VI
- Double-mordent exercise
- Skill in the passing under of the thumb
- The lightest touch, the fingers exerted to the utmost
- Legato melody with broken chords
- Bravura in touch and action
- Delicate and distinct touch in broken chords
- Trill exercise
- Brilliance in octave playing
- Energy in touch and tempo
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
