Campogrande: Cronache animali
Expected to ship in 1-2 weeks.
Shipping Policy- Composer: Nicola Campogrande (1969-)
- Editor: Claudio Bonfiglio
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Voice
- Originally for: Voice, Chamber Ensemble
- Work: Cronache animali (1988)
- Work Language: Italian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 84
Description
Pocket opera for singing actress and 5 instruments.
In 1998 I composed Cronache animali based on poems by Toti Scialoja and described it as a "pocket opera for singing actress and five instruments." It consists of 33 micro-songs, expressly conceived not for a trained opera singer but for an actress – originally Paola Roman. with a 110-meter painted canvas scroll designed by Giorgio Barullo and a small ensemble of musicians, it took on an unusual theatrical form that I would now more readily describe as music theatre.The musicians did more than play: they acted, imitated animals, and helped assemble and dismantle the large stage machinery. After its debut in Stuttgart, we toured for years through concert halls, schools, and public spaces, giving more than eighty performances. A CD recording later ensured the work's survival even after the ensemble disbanded.In 2025, the Orchestra Sinfonica di Milano invited me to prepare a new version of the piece for young audiences. I reduced the ensemble, added a string orchestra, and refined certain details without altering the original style.Now a new chapter begins with different performers. What remains essential is what the writer Dario Voltolini identified as the work's central quality in his liner notes for the CD: "The more I reflect on it, the more I am convinced that the most valuable quality of this festive show, created by Nicola Campogrande from the words of Toti Scialoja, lies in the gentleness with which the refined short-circuits of syllables and phonemes that Scialoja – touched by grace – fashioned in our Italian language are accompanied." There it is: gentleness is the key to the interpretation of this score of mine. If possible, please keep this in mind. (Nicola Campogrande, October 2025)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
