Boccherini: 6 Symphonies, Op. 21 (G 493-498)
Opera Omnia - Volume XIII.2
Expected to ship in 1-2 weeks.
- Composer: Luigi Boccherini (1743-1805)
- Format: Full Score
- Instrumentation: Orchestra
- Binding: Hardcover
- ISMN:
- Size: 9.3 x 12.2 inches
- Pages: 228
- Urtext / Critical Edition
Description
The symphonic output of Luigi Boccherini, which can be placed in a period of time ranging from about 1765 to 1799, can be considered a milestone in the development of the genre. It represents perhaps not only the most interesting corpus of the second half of the eighteenth century beyond those authors belonging to the Wiener Klassik, but also to the wider Austro-German world including Vaňhal, Ordonez, Dittersdorf, Hoffman, Beck, Cannabich, Kraus, etc. The first attempts are represented by isolated and occasional pieces, some written before the composer entered service at the Spanish court in 1768, such as the Symphonies G 490, 491 and 500. in contrast, the Six Symphonies, Op. 12 (G 503-508) dating from 1771 form the first examples to be conceived as a unitary collection and are probably the most widespread and well-known (no. 4, for instance, is the very famous ‘La casa del Diavolo'). It was to be several years before Boccherini engaged again in this genre in the composition of the Six Symphonies, Op. 21 (G 493-498). These were probably composed in Aranjuez before the scandal that engulfed Don Luis in Sant' Ildefonso, Infante of Spain and patron of Boccherini, who was forced into exile in Las Arenas de San Pedro in 1776. The autograph of the symphonies, preserved today in the Bibliothèque nationale de France, bears, in addition to the dedication to the aforementioned Don Luis, the date 1775 and in all probability represents the matrix that the composer sent to the publisher Sieber for publication, which took place the following year, 1776.
Works:
- Symphony in B-flat Major, G 493, Op. 21, No. 1
- Symphony in E-flat Major, G 494, Op. 21, No. 2
- Symphony in C Major, G 495, Op. 21, No. 3
- Symphony in D Major, G 496, Op. 21, No. 4
- Symphony in B-flat Major, G 497, Op. 21, No. 5
- Symphony in A Major, G 498, Op. 21, No. 6
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
