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BA5462-90
Hector Berlioz was enthralled by Gluck and heard his masterpieces Iphigénie en Tauride, Orphée, Alceste, and Armide in Paris.
The original Italian version of Orphée gives the title role to a castrato. Gluck rewrote the part for high tenor for the performances in France . in 1859 Berlioz arranged the opera so that Orpheus could be sung by the great mezzo-soprano Pauline Viardot , with whom he worked closely at that time. He changed the formal design by dividing the work into four instead of three acts and placing the scenes in Hades and the Elysian Fields in separate acts.
He also changed certain sections of Orpheus's part, mainly in the recitatives, and fundamentally reworked Gluck's orchestration.
Category: Classical Era, France, Hector Berlioz, Romantic Era
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score Facsimile of the Autograph Hardcover Orchestral Parts Paperback Performance / Playing Score Score (Full Score) |
Set of Parts Solo Part with Piano Reduction Study Score Vocal Score Wind Set With Audio With / Without Fingering (Markings)
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