25 Easy String Quartets
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- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Edvard Grieg (1843-1907), Louise Reichardt (1779-1826), Joseph Haydn (1732-1809), Cécile Chaminade (1857-1944), Neidhart von Reuental (1190-1240), Tielman Susato (1510-1570), José (Joseph) White Lafitte (1836-1918), Jean Sibelius (1865-1957), Jean-Baptiste Lully (1632-1687), Mélanie Bonis (1858-1937), Amy Beach (1867-1944), Louise Farrenc (1804-1875), Henry Purcell (1659-1695), Antonio Vivaldi (1678-1741), Gustav Holst (1874-1934), Joseph Bologne Chevalier de Saint-Georges (1745-1799)
- Arranger: Kathryn Griesinger
- Instrumentation (this edition): String Quartet (Violin I, Violin II, Viola, Cello)
- Originally for: Melodic Instrument
- Work: Susato: La Morisque from Danserye (1551)
- ISBN:
- Size: 9.1 x 12.0 inches
Description
Performing in a string quartet is a special experience when first learning to play a string instrument. Consisting of two violins, one viola, and one cello, the ensemble features the beauty of each instrument's unique timbre and range. The 25 pieces in this collection have been carefully arranged for developing musicians in their first years of playing. Ranging from grade 1 to grade 2, each piece uses easy key signatures and accessible ranges in a variety of styles and tempi. Spanning several centuries, these pieces include works from the Medieval, Renaissance, Baroque, Classical, Romantic, and Post-Romantic eras. Representing many countries and cultures, this collection also includes music by women composers Louise Farrenc, Cécile Chaminade, Mélanie Bonis, Louise Reichardt, and Amy Beach. Ideal for recitals and adjudicated events, this compilation of approachable music promises developing string players a rewarding first introduction to the string quartet.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.