J. C. Bach: Keyboard Works
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- Composer: Johann Christoph Bach (1642-1703)
- Editor: Pieter Dirksen
- Instrumentation: Keyboard
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 36
- Urtext / Critical Edition
Description
Johann Christoph Bach, the "Eisenach" uncle of Johann Sebastian, is chiefly remembered today for his vocal works. It is impossible to know how many works he ultimately wrote for the "clavier." Be that as it may, Pieter Dirksen has gathered together all of Johann Christoph's surviving non-chorale-related works for this edition. At the center of this little Complete Edition of four substantial keyboard works are three sets of variations which hark back to Johann Pachelbel while anticipating the celebrated Goldberg Variations at the same time. These lines of influence are easy to trace: Pachelbel was a colleague of Johann Christoph at the court of Eisenach for a short period, and J.S. Bach, in his turn, later performed works by his uncle in Leipzig. As is typical for the Middle-German tradition, Johann Christoph Bach's keyboard works do not bear any traits that are unequivocally idiomatic of the organ or the harpsichord. They are thus suited for performance on any keyboard instrument.
Works:
- Aria Eberliniana variata
- Aria variata
- Praeludium and Fugue
- Sarabanda variata
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
J. C. Bach: Keyboard Works
