Hanson: Early Piano Music
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- Composer: Howard Hanson (1896-1981)
- Instrumentation: Piano
- ISBN:
- Size: 9.1 x 11.9 inches
Description
Howard Hanson (1861-1981), one of the giants of twentieth century American music, did not compose a great deal of piano music. The first of these pieces (Poems Erotiques, Op. 9), from his pre-Eastman years, show Hanson employing the 19th century piano styles still current during the period (1917–1920) of his apprenticeship. By the early 20s, Hanson was a fully formed composer and the Tre Pezzi, Op. 18 reflect the more mature young composer that was to develop during his stay at the American Academy in Rome (1921–24). The last piece included in this collection, Slumber Song, was probably the earliest to be written. Though it cannot be dated exactly, it was probably composed during the "teen years" when Hanson was still living in Iowa. This is a fascinating collection of pieces, suitable for moderately advanced recitalists, with an extremely useful preface by Nicholas Hopkins.
Works:
- Peace, Joy, Desire from Poémes Érotiques, Op. 9
- Tre Pezzi, Op. 18
- Slumber Song
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
