Flamenco Guitar Method - Volume 2
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Shipping Policy- Author: Gerhard Graf-Martinez
- Format: Book with Audio Access
- Instrumentation: Guitar
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 136
Description
Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - "Flamenco puro" - it also conveys the authentic sound and the pulsating "compás" of this music. This is the only way to learn to play the music properly yourself.
Contents:
- Contents of the book:
- LEKTION 6: Arpegio
- Tremolo
- LEKTION 7: Picado
- LEKTION 8: Bulerías I
- LEKTION 9: Alzapúa
- LEKTION 10: Soleá
- Alegriás
- Buleriás II
- Tarantos
- Tangos
- ESTILOS: Estilos
- GESCHICHTE: Geschichte
- Bibliographie
- Nachwort
- CD-Tracks
- Index
- .
- Contents of the DVD:
- Lesson 6:
- Arpegio
- Quejío II (Taranto)
- Mantón IV (Soleá)
- Mantón V (Soleá)
- Mantón VI (Soleá)
- Rumbita II (Rumba)
- Tremolo Exercise I
- Tremolo Exercise II
- Quejío III (Taranto)
- Lesson 7:
- Picado
- Lérida (Garrotin)
- Lesson 8:
- Compás Exercise I (Bulerías)
- Compás Exercise II (Bulerías)
- Compás Exercise III (Bulerías)
- Compás Exercise IV (Bulerías)
- Bulerías-Compás I
- Bulerías-Compás II
- Bulerías-Compás III
- Bulerías-Compás IV
- Bulerías-Compás V
- Bulerías-Compás VI
- Bulerías-Compás VII
- Bulerías-Compás VIII
- Bulerías-Compás IX
- Bulerías-Compás X
- Bulerías-Compás XI
- Bulerías-Compás XII
- Bulerías-Compás XIII
- Bulerías-Compás XIV
- Bulerías-Compás XV
- Bulerías-Compás XVI
- Bulerías-Compás XVII
- Bulerías-Compás XVIII
- Columpio I (Bulerías)
- Columpio II (Bulerías)
- Columpio III (Bulerías)
- Lesson 9:
- Alzapúa I (Exercise)
- Alzapúa II (Exercise)
- Alzapúa III (Exercise)
- Alzapúa IV (Bulerías)
- Alzapúa V (Bulerías)
- Alzapúa VI (Bulerías)
- Lesson 10:
- Mantón VIII (Soleá)
- Mantón IX (Soleá)
- Mantón X (Soleá)
- Mantón XI (Soleá)
- Alegría en Mi I (Compás Exercise)
- Alegría en Mi II (Compás Exercise)
- Alegría en Mi III (Intro)
- Alegría en Mi IV (Escobilla)
- Alegría en Mi V (Puente)
- Caí II (Alegría en Do)
- Caí III (Alegría en Do)
- Caí IV (Alegría en Do)
- Caí V (Alegría en Do)
- Columpio IV (Bulerías Intro)
- Columpio V (Bulerías)
- Quejío IV (Taranto)
- Naino VI (Tangos)
- Naino VII (Tangos)
- Naino VIII (Tangos)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
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Hardcover
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Orchestral Parts
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
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With Audio
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With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
