Compatible Duets for Winds
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- Arranger: Larry Clark (1963-)
- Instrumentation: Flute / Oboe
- ISBN:
- Size: 9.1 x 11.9 inches
Description
These invaluable collections contain 31 duets in a variety of styles (classical, folk music, new original pieces) that can be played with any combination of two wind instruments. Students can develop their chamber ensemble skills while playing with their friends, no matter what instruments they play. Ranging from grade levels 2-3, Compatible Duets for Winds is perfect for band directors to buy for use in the classroom, and its flexibility makes it a must-have for any wind player.
Contents:
Largo from Symphony No. 9 in E Minor (Antonín Dvořák) The Ash Grove (Welsh Folk Song) Barcarolle from the Opera The Tales of Hoffmann (Jacques Offenbach) Canticle of the Sun (Larry Clark) Cradle Song (Franz Schubert) The Happy Farmer from Scenes from Childhood, Op. 15 (Robert Schumann) Les Moissonneurs (The Reapers) (François Couperin) March (Johann Sebastian Bach) Minuet (Johann Sebastian Bach) Minuet (Johann Sebastian Bach) Simple Gifts (Joseph Brackett) March (Jeremiah Clarke) Symphony No. 94 Theme "Surprise Symphony" (Franz Joseph Haydn) Andantino (Wolfgang Amadeus Mozart) Amazing Grace (Traditional) Allegretto (Domenico Gatti) Waltz, Op. 39, No. 15 (Johannes Brahms) Can-Can from the Opera Orpheus in the Underworld (Jacques Offenbach) Kinetic Energy (Larry Clark) La donna è mobile from the Opera Rigoletto (Giuseppe Verdi) Minuet (Jean-Philippe Rameau) Moderato (Domenico Gatti) Scottish Bobber (Larry Clark) Sonata No. 5 (Theme) (Franz Joseph Haydn) Rondeau (Jean-Joseph Mouret) Marche Militaire (Franz Schubert) Hunting Music (Cornelius Gurlitt) Unfinished Symphony (Theme) (Franz Schubert) The Campbells Are Coming (Scottish Folk Song) Gypsy Dance (Franz Joseph Haydn) When Johnny Comes Marching Home (Patrick Gilmore)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.





