Zhou Tian: Morning after the Deluge (Version for Clarinet Sextet)
Expected to ship in about a month.
- Composer: Zhou Tian (1981-)
- Format: Set of Parts
- Instrumentation (this edition): Clarinet, Piano Quintet (Piano, Violin I, Violin II, Viola, Cello)
- Originally for: Violin, Piano Quintet (Piano, Violin I, Violin II, Viola, Cello)
- Work: Morning after the Deluge (2004)
- Size: 9.4 x 12.4 inches
Description
Some inspiration for Morning after the Deluge, a 12-minute piece for clarinet, piano and string quartet (adapted from an earlier work for violin sextet), comes from William Turner's similarly-named painting from 1843, Light and Colour (Goethe's Theory) – the Morning after the Deluge – Moses Writing the Book of Genesis. The painting depicts dawn emerging from the ruin of the great flood when God's covenant with man was established. The shifting landscape dissolving into layers of mist against a rising sun inspired me to design the same for the music: it begins with a single melody that slowly develops into a growing fugue; when all 6 members of ensemble finally come together, we begin "hearing" the first light of the dawn. A new, lively motif emerges. Bright and colorful, the music bears influences from traditional Chinese folk dances. The opening theme also forms the ending of the piece, which is reflective of a sunset. Here, the ensemble slowly fades, one instrument at a time, into the silence of the darkness.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Zhou Tian: Morning after the Deluge (Version for Clarinet Sextet)
