Price: Until We Meet
This item is made to order and typically ships within 2-3 weeks.
- Composer: Florence Price (1887-1953)
- Instrumentation: Piano
- Work: Until We Meet (1952)
- Size: 9.0 x 12.0 inches
Description
Composed on 27 March 1952, Until We Meet is one of a cluster of obviously or implicitly romancethemed compositions for piano solo that Price penned in the last few years of her creative life — a cluster that also includes In Sentimental Mood (22 March 1947), Three Roses (21 September 1949), and First Romance (ca. 1949-52). The works have in common not only their romantic themes, but also a tendency to pass thematic material between the soprano and baritone registers and a remarkably rich harmonic palette that is based on the post-Romantic idioms that were the immediate province of Price's generation but also goes beyond these. The overall tonal design of Until We Meet is conventional, with framing A sections in F Major and the central section (mm. 17-33) in its lowered submediant, D-flat Major. But both sections also include brief feints into remote keys — all accomplished seamlessly because of Price's sophisticated harmonic technique. Despite these ventures that required considerable intellectual sophistication, however, the work is one of exquisite tenderness and unassuming beauty.
— John Michael Cooper
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Price: Until We Meet
