Price: Child Asleep
This item is made to order and typically ships within 2-3 weeks.
- Composer: Florence Price (1887-1953)
- Instrumentation: Piano
- Work: Child Asleep
- Size: 8.9 x 12.0 inches
Description
Published here for the first time, Price's Child Asleep was composed on July 6, 1932 — the fifteenth birthday of her firstborn daughter, Florence Louise (1917-75). The work bears the sub-heading "To my daughter, Florence" — a circumstance that explains the composition's warm and tender tone. in that first incarnation it was titled Baby Asleep , but Price then (apparently soon after the original composition, judging from the handwriting) revised it and changed its title in that process. This circumstance suggests that the work is a nostalgic reflection on an earlier chapter in the Prices' life — a musical reminiscence of her own motherhood, the family's life in Arkansas, and perhaps also her marriage to Thomas Jewell Price, which had ended in divorce a year earlier, in January, 1931. Like many of Price's compositions, its brevity and unassuming style are deceptive, disguising an ingeniously terraced tonal design that begins and ends with in F Major, but whose middle section suggests (but does not state) the twice-removed tonal center of E-flat Major before moving to the two most remote keys available, first E Major and then G-flat Major via the latter's dominant. But for all this harmonic artifice — the work of a composer of exceptional prowess — the work never loses its lullaby-like air of maternal intimacy and love.
— John Michael Cooper
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



