Price: Barcarolle
This item is made to order and typically ships within 2-3 weeks.
- Composer: Florence Price (1887-1953)
- Instrumentation: Piano
- Work: Baracolle
- Size: 8.9 x 12.0 inches
Description
For piano (edited by John Michael Cooper)
Published here for the first time, Price's Barcarolle appears to have been composed in the very late 1920s or very early 1930s. By genre, the work belongs among compositions, usually instrumental and written for piano solo, that imitate the songs sung by Venetian gondoliers during their gondola rides and/or the rocking motion of the boats on the water. Some barcarolles are large and ambitious in form (for example, Chopin's late Barcarolle , Op. 60), while others, such as the Venetian gondola songs of Mendelssohn's Songs without Words , are shorter and more intimate in tone. Price's Barcarolle falls into the latter category. True to its stylistic models, the work unfolds over a gently rocking accompaniment with slow harmonic rhythm, with gracefully arching, song-like melodies in the right hand. The generally regular four-bar phrases — another feature typical of the genre and of Italianate Romantic music generally — does not prevent Price from moving into her usual remote harmonic territories (for example, the move from in A Major to B-flat Major in mm. 17-18 or the richly chromatic sequence from mm. 22-26). On the whole, this obscure gem perfectly complements the 1926 Tarantella for piano solo — a pair of works that beautifully document Price's fluency in musical Italianisms.
— John Michael Cooper
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

