Lang: Songs of Sorrow
Expected to ship in 1-2 weeks.
- Composer: Josephine Lang (1815-1880)
- Editor: Matthias Ehm
- Instrumentation (this edition): Piano, Medium Voice
- Originally for: Piano, Voice
- Work Language: German
- ISMN:
- Size: 8.3 x 11.6 inches
Description
Contents:
- Leb‘ wohl, leb‘ wohl du schöne Welt, 29, No. 1
- Der Pfad, den du so oft gezogen, 29, No. 2
- Gib Dich dahin in Gottes Sinn 29, No. 3
- Wie zieht ein Wandrer leicht dahin
- "Meine Herde will ich weiden"
- Klag‘ deine Not dem lieben Gott
- Gebrochen ist der Sturm
- Nur keinen Abschied, 43, No. 5
Josephine Lang's "Lieder des Leids," based on poems by Albert Zeller (1804–1877), occupy a special place in her oeuvre, as Lang did not devote herself to the setting of sacred texts by any other poet to such an extent. Contrary to what the title "Lieder des Leids" might suggest, however, neither Zeller's texts nor Lang's settings are exclusively songs of lament. On the contrary, in Lang's selection, themes of consolation, gratitude, trust in God, and the joyful certainty of reunion in the hereafter prevail. in this way they are an expression of Lang's strong faith, which remained unshaken even in the face of the most severe blows of fate.
As early as Ferdinand Hiller (1811–1885), conductor, music writer, and a friend from her Munich years, recognized in Josephine Lang's "Lieder des Leids,", Op. 29, a "special beauty of melody and […] deepest expression." The present edition brings together both the settings published during Lang's lifetime and the previously unpublished ones. in this way, it aims to provide a complete overview of this high-quality group of songs and to make them accessible for practical performance.
Works:
- Songs of Sorrow, Op. 29
- Nur keinen Abschied, No. 5 from 5 Songs, Op. 43
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
