Lusitano: Complete Works
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- Composer: Vicente Lusitano
- Editors: Joseph McHardy (1981-), Arne Spohr
- Format: Full Score
- Work Language: Latin
- ISBN:
- Size: 8.6 x 11.0 inches
Description
Widely known to music history as a theorist, Vicente Lusitano's compositions—important examples of Portuguese polyphony in the mid-sixteenth century—have not yet been presented to the wider public in a scholarly edition. Lusitano sheds new light on the diversity of people involved in making polyphony in early modern Europe, and his Liber primus epigramatum (Rome, 1551; RISM 990038714) represents the earliest known works to have been brought to print in Europe by a person racialized as Black. This edition presents all of his surviving authenticated works: the twenty-three motets for five, six, and eight voices contained in the Liber primus, a five-voice setting of Psalm 128 preserved at the Württembergische Landesbibliothek (shelfmark Cod. mus. I fol. 3), the four-voice "Heu me, Domine" from the manuscript Tratado de canto de organo (RISM 1001262952), and the three-voice madrigal "Allor ch'ignuda," anthologized in Il primo libro delle muse (Venice, 1562; RISM1000000576). Transmitted in print and manuscript sources from Italy, France, Germany, and the Iberian Peninsula, these high-quality works reflect the wide geographical range of Lusitano's career and can enrich our understanding of the development of polyphonic composition after Josquin.
Liber primus epigramatum (1551)
- Hodie Simon Petrus (SAATB)
- Crux et virga (SSATB)
- Hic est Michael (SAATB)
- Aspice, Domine, quia facta est (ATTTB)
- Elisabeth Zachariae (SAATB)
- Emendemus in melius (STTTB)
- Isti sunt duae olivae (STTTB)
- Videns crucem (SAATB)
- Vidi civitatem (SAATB)
- Ave spes nostra (TTBBB)
- Lucia virgo (STTTB)
- Regina caeli (SSATB)
- Quid montes (SAATB)
- Clamabat autem mulier (SSATB)
- Sancta mater, istud agas (STTTB)
- Benedictum est (SAATB)
- Aspice, Domine, de sede (SAATTB)
- Sancta Maria (SAATTB)
- O beata Maria (SAATTB)
- Salve Regina (AAATTB)
- Sum servus (SSAATB)
- Inviolata (SSAATTBB)
- Praeter rerum seriem (SSAAATBB)
Motets from Manuscript Sources
- Heu me, Domine (SATB)
- Beati omnes (SSATTB)
Italian Madrigal
- Allor ch'ignuda (ATB)
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
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A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
