Staeps: The Daily Lesson
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- Composer: Hans Ulrich Staeps (1909-1988)
- Instrumentation: Recorder
- Work: The Daily Lesson
- ISMN:
- Size: 9.1 x 11.9 inches
Description
Exercises for advancing players of the treble (alto) recorder
Different time signatures, key signatures, scales, and rhythms run throughout Staeps' new set of daily exercises for recorder players aiming for a high level of achievement. The Daily Lesson, 28 in all, will present quite a workout once the student is able to play them all in succession. Aside from supporting an intimacy with the instrument, The Daily Lesson also prepares the student for the demands of contemporary music, in addition to the classic repertoire.
These exercises are written to improve finger, articulation and breathing technique as well as to increase in speed. They can be used on treble recorders with either German or English fingerings. As daily exercises, when mastered completely, they should be played through in 40 minutes all together. At each stage compare the time taken with the figure in seconds given at the end of each exercise, and aim at the performance of the complete book within the prescribed time. of course, any part of it may be used as practice material and in your own time. If nothing else is mentioned, play both legato as well as staccato.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
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With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
