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Wolfgang Amadeus Mozart

Mozart: Salzburg Divertimenti, K. 136–138 (arr. for chamber orchestra)

$ 37.95
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G. Henle Verlag  |  SKU: HN3420  |  Barcode: 9790201834207
  • Composer: Wolfgang Amadeus Mozart (1756-1791)
  • Editor: Wolf-Dieter Seiffert
  • Instrumentation (this edition): Chamber Orchestra
  • Originally for: String Quartet (Violin I, Violin II, Viola, Cello)
  • ISMN: 9790201834207
  • Size: 10.0 x 12.8 inches
  • Urtext / Critical Edition

Description

Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works, K. 136–138, which he designated "Divertimento", are dated "Salisburgo 1772" in the autograph, but were presumably conceived earlier while on a concert tour under the Italian sun. They do not yet display the "erudite" four-part writing that Joseph Haydn was perfecting at the same time, but instead strike a cheerful, playful serenade tone with mostly song-like upper voice and accompanying lower voices. The fact that Mozart designated the lowest voice not as "Cello" but as "Basso" and also used the plural "Viole" for the viola part suggests that he certainly had in mind more than one instrument on a part here. in this form for small string orchestra, the three so-called "Salzburg Divertimenti" are still perennial evergreens today. Edited by Mozart expert Wolf-Dieter Seiffert, this practice-oriented chamber orchestra edition offers a verified musical text on the basis of the autograph sources. – An edition for string quartet is also available.

Works:

G. Henle Verlag

Mozart: Salzburg Divertimenti, K. 136–138 (arr. for chamber orchestra)

From $ 37.95

Description

Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works, K. 136–138, which he designated "Divertimento", are dated "Salisburgo 1772" in the autograph, but were presumably conceived earlier while on a concert tour under the Italian sun. They do not yet display the "erudite" four-part writing that Joseph Haydn was perfecting at the same time, but instead strike a cheerful, playful serenade tone with mostly song-like upper voice and accompanying lower voices. The fact that Mozart designated the lowest voice not as "Cello" but as "Basso" and also used the plural "Viole" for the viola part suggests that he certainly had in mind more than one instrument on a part here. in this form for small string orchestra, the three so-called "Salzburg Divertimenti" are still perennial evergreens today. Edited by Mozart expert Wolf-Dieter Seiffert, this practice-oriented chamber orchestra edition offers a verified musical text on the basis of the autograph sources. – An edition for string quartet is also available.

Works:

Format

  • Full Score
  • Set of String Parts (3.3.2.2)
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