M. Berkeley: For Mrs Tomoyasu
Expected to ship in 2-3 weeks.
- Composer: Michael Berkeley (1948-)
- Format: Full Score
- Instrumentation (this edition): Soprano, Orchestra
- Originally for: SATB Choir, Soprano, Orchestra, Baritone
- Work: For Mrs Tomoyasu from Or Shall We Die? (Oratorio) (1983)
- Work Language: English
- ISBN:
- Size: 8.9 x 12.0 inches
- Pages: 15
Description
The oratorio or Shall We Die? was commissioned from Ian McEwan and Michael Berkeley by the London Symphony Orchestra Chorus. It was first performed in 1983, the year that Ronald Reagan declared that a nuclear conflict in Europe was not only thinkable but winnable; cruise missiles came to Britain; Heseltine was appointed by Thatcher to extinguish CND; Professions for World Disarmament and Development was formed at the suggestion of Fenner Brockway and MANA was formed as one of those professional peace groups.
This piece is the chamber version of the soprano aria in section five of the work which forms the heart of the oratorio.
Mrs Tomoyasu was a young woman in 1945 when her nine year-old daughter died in her arms after the nuclear bombing of Hiroshima. She told her story to Jonathan Dimbleby in his television film in Evidence: The Bomb, and her words changed by the librettist, Ian McEwan, only to make smoother rhythms were used directly in the text.
Instrumentation: flute, 2 oboes, 2 bassoons, 2 horns, strings
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
M. Berkeley: For Mrs Tomoyasu
