Bach for Guitar
27 Transcriptions
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- Composer: Johann Sebastian Bach (1685-1750)
- Arranger: Martin Hegel
- Instrumentation: Guitar
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 48
Description
The advantages of Bach's music are that it is universal and to a certain extent independent of the instruments for which it was composed. His music is structured in such a brilliant and clear manner that it sounds good on any instrument. These compositions by Johann Sebastian Bach definitely are some of his best-known works and very popular. Therefore, also guitarists will certainly appreciate to be able to play this magnificent music on their instrument. All pieces are easy to play on the guitar and a valuable addition to the teaching and concert repertoire.
Contents:
- Prélude (Suite No. 1 für Cello BWV 1007)
- Badinerie (Suite No. 2 für Orchester BWV 1067)
- Aria (Goldberg-Variationen BWV 988)
- Jesu, Joy of Man's Desiring BWV 147
- Sinfonia (Ich steh mit einem Fuß im Grabe BWV 156)
- Toccata für Organ BWV 565
- Inventio No. 1 BWV 772
- Praeludium (Wohltemperiertes Klavier I BWV 846)
- Air (Suite No. 3 für Orchester BWV 1068)
- Bourrée I (Suite No. 3 für Cello BWV 1009)
- Sarabande (Suite No. 6 für Cello BWV 1012)
- Aria "So oft ich meine Tobackspfeife" (from Notenbüchlein für Anna Magdalena Bach BWV 5151b)
- Menuet (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 114)
- Aria "Bist du bei mir (from Notenbüchlein für Anna Magdalena Bach BWV 508)
- Menuet (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 115)
- Marche (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 122)
- Aria "Gedenke doch, mein Geist, zurücke" (from Notenbüchlein für Anna Magdalena Bach BWV 509)
- Musette (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 126)
- Adagio (Concerto III BWV 974)
- Praeludium XXI (Wohltemperiertes Klavier I BWV 866)
- in dulci jubilo (Chorale prelude BWV 751)
- Bourrée (Suite für Laute BWV 996)
- Gavotte I (Suite No. 6 für Cello BWV 1012)
- Praeludium No. 2 (Sechs kleine Präludien BWV 934)
- Tempo di Bourrée (Partita für Violin BWV 1002)
- Praelude pour la luth BWV 999
- Andante (Sonata für Violin BWV 1003)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
