English Lute Songs - Volume 2
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- Composers: Thomas Morley (1557-1602), Robert Jones (1577-1617), Francis Pilkington (1565-1638), Philip Rosseter (1568-1623), Richard Martin, John Dowland (1563-1626), George Mason
- Editor: Michael Pilkington
- Work Language: English
- ISMN:
- Size: 8.1 x 10.0 inches
- Pages: 104
Description
The two books contain some 100 songs chosen from the definitive collections of The English Lutenists begun by Edmund Fellowes, revised by Thurston Dart and added to by later scholars. They include many favorites and many lesser-known songs by popular composers such as Dowland, Campion and Pilkington (no known ancestor of the compiler) as well as some unjustly forgotten such as Corkine, Attey and Ferrabosco. Nearly all are for middle-range voice, with lute parts transcribed in staff notation. The books have an appropriate preface and a commentary on the words, which often throw a penetrating light on Elizabethan and Jacobean life.
JOHN DOWLAND
- Awake sweet love
- Clear or cloudy
- Come again: sweet love
- Come away, come sweet love
- Daphne was not so chaste
- Far from triumphing Court
- Farewell unkind farewell
- Fie on this feigning
- Fine knacks for ladies
- Flow my tears
- Flow not so fast ye fountains
- I saw my lady weep
- If my complaints could passions move
- in darkness let me dwell
- Lady if you so spite me
- Now, o now I needs must part
- Shall I sue?
- Sleep, wayward thoughts
- Sorrow, sorrow, stay
- Sweet stay awhile
- Time stands still
- To ask for all thy love
- Toss not my soul
- Weep you no more, sad fountains
- What if I never speed?
- When Phoebus first did Daphne love
ROBERT JONES
- Fie, what a coil is here!
- Go to bed, sweet muse
- My father fain would have me take a man -My love hath her true love betrayed
- What if I seek for love of thee?
THOMAS MORLEY
- Absence, hear thou my protestation
- I saw my lady weeping
- It was a lover and his lass
- O grief! e'en on the bud
RICHARD MARTIN
- Change thy mind since she doth change
FRANCIS PILKINGTON
- Diaphenia
- Down a down, thus Phyllis sung
- Now let her change
- Rest sweet nymphs
GEORGE MASON
- Dido was the Carthage Queen
PHILIP ROSSETER
- If I hope I pine
- If she forsake me
- Kind in unkindness
- Shall I come if I swim?
- Sweet, come again
- Though far from joy
- What then is love but mourning
- When Laura smiles
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
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In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

