Flute 101.5: Enrichment
Expected to ship in 1-2 weeks.
- Editors: Patrica George, Phyllis Avidan Louke (1954-)
- Instrumentation: Flute
- Binding: Spiral Bound
- ISBN:
- Size: 9.1 x 11.9 inches
Description
From the authors of the best-selling FLUTE 101 series, Flute 101.5: Enrichment is a flute method and duet collection for the advanced beginner. It is a bridge between any beginning flute or band method book and Flute 102: Mastering the Basics. It also serves as an enrichment book for flutists advancing through Flute 101 or any other method. Teacher and Student Resource Pages include 15 pages of tips on how to use the book, along with practice pages that enhance learning, technical development, and musicianship. If you or your students have ever asked: How do I balance the flute in my hands? Where do I put my feet while playing? How do I count simple and compound meters? How do I play with a controlled vibrato or phrase expressively? Then Flute 101.5 is for you! The book features: -Photos detailing hand position and stance -Headjoint warm-up including rhythms and sight-reading in simple meter -12 lesson groups, each with three parts -Lessons cover 12 Major scales, arpeggios, and chromatic octaves -Introduction to vibrato and its development -Exercises for filling in the subdivision of the beat -Review of third-octave fingerings up to G3 -Introducing vocalise practice -Trill exercises for balancing the flute -Classic etudes for phrasing development -Introduction to multiphonics for tone development -Introduction to harmonics for tone development -Review of the three Bb fingerings, simple and compound meter, dotted rhythms, syncopation -Introduction to mordents and grace notes -17 Duets -15 Teacher and Student Resource Pages -76 pages, spiral bound to lay-flat on the music stand. Also available in digital format.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
