Easy Concert Pieces - Double Bass Volume 1
25 Easy Pieces from 5 Centuries
Imported and often ships in 2-3 weeks, but may take up to three months.
- Editor: Charlotte Mohrs (1989-)
- Format: Book & Audio Access
- Instrumentation: Piano, Double Bass
- ISMN:
Description
The ‘Easy Concert Pieces' series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty.
Book 1 contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato, staccato and legato bowing are introduced along with pizzicato, using rudimentary dynamics ranging from piano to forte, crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes, a few different time signatures and simple rhythms.
"A very welcome publication for beginner double bass players, this collection is right on target...Thoroughly recommended" - Cathy Elliot, ESTA ARCO
Contents:
- Luis de Milán (ca. 1500-1561): Pavane
- Cesare Negri (ca. 1535-1604): Spagnoletto
- Valentin Haussmann (ca. 1560-1614): Alla Tedesca
- John Eccles (1668-1735): Menuett
- Christoph Graupner (1683-1760): Bourrée
- Antonio Vivaldi (1678-1741): Spring from "The Four Seasons"
- Johann Sebastian Bach (1685-1750): Menuett
- Johann Abraham Peter Schulz (1747-1800): The Moon Has Risen
- Giuseppe Tommaso Giordani (1751-1798): Minuetto
- Wolfgang Amadeus Mozart (1756-1791): Allegro
- Ludwig van Beethoven (1770-1827): Ode to Joy from Symphony No. 9
- Giovanni Bottesini (1821-1889): Allegretto
- Johannes Brahms (1833-1879): Lullaby
- Alexander Borodin (1833-1887): Prince Igor
- Pyotr I. Tchaikovsky (1840-1893): Swan Lake
- Antonin Dvořák (1841-1904): Largo, from Symphony No. 9 "From the New World"
- Gustav Mahler (1869-1911): Theme from Symphony No. 1
- Friedrich Radermacher (*1924): A Serious Matter
- Friedrich Radermacher (*1924): All Is Well That Ends Well!
- Hermann Regner (1928-2008): Recitativo and Cellar Aria
- Hermann Regner: What a Stress!
- Teppo Hauta-aho (*1941): The Singing Hippo
- Frank Wunsch (*1945): Dorian Blue
- Marianne Magolt (*1953): A Little March
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
