The Oxford Book of Organ Music by Black Composers
Expected to ship in 1-2 weeks.
Shipping Policy- Editor: Anthony Williams
- Instrumentation: Organ
- ISBN:
- Size: 9.1 x 12.2 inches
- Pages: 192
Description
This anthology celebrates the rich legacy of Black composers from the nineteenth century to the present day. Highlighting music that has often been overlooked, it places the repertoire in its historical context and serves as a compelling introduction to a body of organ music that enriches and diversifies the instrument's repertoire.
- 28 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire
- Biographical and performance notes for each composer and piece, written by Anthony Williams
- Original music for the instrument, from the nineteenth century to the present day, including standalone pieces, full suites, and movements from larger works, alongside an arrangement of R. Nathaniel Dett's piano piece 'His Song'
- Features works by Samuel Coleridge-Taylor, Roger Dickerson, David Hurd, Ulysses Kay, and Florence B. Price, together with new compositions by Regina Harris Baiocchi, Ralph Simpson, Errollyn Wallen, and Sharon J. Willis
- Includes the first publication of pieces by Ayo Bankole, Zenobia Powell Perry, Lucius R. Weathersby, and John W. Work III
Table of contents:
- Doxology, Regina Harris Baiocchi
- Toccata No. 1: from Three Toccatas, Ayo Bankole
- Impromptu No. 1 in F Major: from Three Impromptus, Op. 78, Samuel Coleridge-Taylor
- Three Short Pieces for Organ, Samuel Coleridge-Taylor
- Lord keep us steadfast in thy word, William B. Cooper
- The Good Shepherd (Air on a Child's Flute), William B. Cooper
- Spiritual: Round about the Mountain: from Spiritual Set, Noel DaCosta
- His Song: from in the Bottoms, R. Nathaniel Dett
- Chorale Prelude on 'Das Neugeborne Kindelein', Roger Dickerson
- Fantasia: from Suite for Organ, Kevin George
- Prelude: from Suite for Organ, Adolphus C. Hailstork
- Elegy for the Time of Change, Robert A. Harris
- Oh! What a beautiful city, David Hurd
- Prélude Religieux, Edmund T. Jenkins
- Two Meditations, Ulysses Kay
- Processional: from Nuptial Suite, Betty Jackson King
- Prism, Zenobia Powell Perry
- Adoration, Florence B. Price
- Finale: from Sonata No. 1, Florence B. Price
- Retrospection, Florence B. Price
- Voluntary on 'Holy Manna', Ralph Simpson
- Joshua fit de Battle ob Jericho, Fela Sowande
- Prayer (An Offertory): from Two Pieces for Organ, George Walker
- GATHER, Errollyn Wallen
- Spiritual Fantasy, Lucius R. Weathersby
- Pools of Living Water, Trevor Weston
- Dance Triptych (Three Petite Dances), Sharon J. Willis
- Spiritual: from From the Deep South (Suite for Organ), John W. Work III
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
