Schütz: 12 Sacred Songs, Op. 13 (SWV 420-431)
Stuttgart Schütz Edition Volume 15
In stock and typically ships within 1 business day.
Shipping Policy- Composer: Heinrich Schütz (1585-1672)
- Editor: Günter Graulich
- Format: Full Score
- Instrumentation: Basso continuo, SATB Choir, Double Choir (SATB + SATB), SSAB Choir, SSAT Choir
- Binding: Hardcover
- Work Languages: English, German
- ISMN:
- Size: 8.3 x 11.7 inches
- Pages: 168
Description
This cycle contains Aller Augen warten auf dich, Herre SWV 429, one of the composer's most popular vocal works. The twelve four-part motet-style settings published in 1657 demonstrate all the attributes of his mature style, using simple homophonic settings as effectively as demanding polyphony. They represent something of a counterpart to the 1648 Geistliche Chormusik, but here, Schütz paid greater attention to practical use in church services and to the training of the Dresden choirboys.
Works:
- Kyrie, Gott Vater in Ewigkeit (from "12 Sacred Songs"), SWV 420, Op. 13, No. 1
- All Ehr and Lob soll Gottes sein (from "12 Sacred Songs"), SWV 421, Op. 13, No. 2
- Ich gläube an einen einigen Gott (from "12 Sacred Songs"), SWV 422, Op. 13, No. 3
- Unser Herr Jesus Christus, in der Nacht (from "12 Sacred Songs"), SWV 423, Op. 13, No. 4
- Ich danke dem Herrn von ganzem Herzen (Psalm 111) (from "12 Sacred Songs"), SWV 424, Op. 13, No. 5
- Danksagen wir alle Gott (from "12 Sacred Songs"), SWV 425, Op. 13, No. 6
- Meine Seele erhebt den Herren (Magnificat), (from "12 Sacred Songs"), SWV 426, Op. 13, No. 7
- O süsser Jesu Christ (from "12 Sacred Songs"), SWV 427, Op. 13, No. 8
- Kyrie eleison, Christe eleison (from "12 Sacred Songs"), SWV 428, Op. 13, No. 9
- Aller Augen warten auf dich (from "12 Sacred Songs"), SWV 429, Op. 13, No. 10
- Danket dem Herren, denn er ist freundlich (from "12 Sacred Songs"), SWV 430, Op. 13, No. 11
- Christe fac ut sapiam (from "12 Sacred Songs"), SWV 431, Op. 13, No. 12
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
Schütz: 12 Sacred Songs, Op. 13 (SWV 420-431)
