Oxford Hymn Settings for Organists: General Hymns 1
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- Editors: Rebecca Groom te Velde (1956-), Alan Bullard (1947-)
- Instrumentation: Organ
- ISBN:
- Size: 9.1 x 12.2 inches
- Pages: 176
Description
40 original pieces for general hymns (from Abbot's Leigh to Melcombe)
With a host of accessible, quality new settings, and with pieces based on all the Major hymn tunes, these volumes are a must for every church organist's library.
- Abbot's Leigh, Alan Bullard
- Amazing Grace/New Britain, James Biery
- Angel voices (Monk), Ashley Grote
- Angel's Song/Song 34, Simon Lole
- Ar hyd y nos, Malcolm Archer
- Assurance/Blessed Assurance, Craig Phillips
- Austria, Alan Bullard
- Azmon, Rebecca Groom te Velde
- Bind us together, David Blackwell
- Blaenwern, Sarah Quartel
- Coe Fen, Mary Beth Bennett
- Crimond, Philip Moore
- Cwm Rhondda, James Biery
- Deus tuorum militum/Grenoble, Simon Lole
- Duke Street, Adolphus Hailstork
- Dundee/French, Kristina Arakelyan
- East Acklam, Philip Moore
- Ellers, Matthew H. Corl
- Es flog ein kleins Waldvögelein/Woodbird, Rebecca Groom te Velde
- Evelyns, Zoe Dixon
- Eventide, Michael Bedford
- Faithfulness, Christa Rakich
- Festal Song, Michael Bedford
- Gonfalon Royal, Sarah Macdonald
- Hanover, Kristina Arakelyan
- Hendon, Christa Rakich
- Here I am, Lord, Alison Willis
- Highwood, Alison Willis
- How Can I Keep from Singing?, Rebecca Groom te Velde
- Kingsfold, Sarah Macdonald
- Laudate Dominum, Malcolm Archer
- Laudes Domini, Chelsea Chen
- Linstead Market, David Schelat
- Londonderry Air, Alan Bullard
- Lord of the Years, David Blackwell
- Luckington, Ashley Grote
- Majesty, Matthew H. Corl
- Marion/Messiter, Mary Beth Bennett
- Martyrdom/Fenwick, Alan Bullard
- Melcombe, Craig Phillips
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
