Guerau: Pasión según San Juan
The Passion According to St. John
Expected to ship in about a month.
Shipping Policy- Composer: Miguel de Guerau (1578-1639)
- Editor: José Sierra Pérez
- Format: Full Score
- Instrumentation: SATB Choir
- Work Language: Latin
- ISBN:
- Size: 8.3 x 11.6 inches
- Urtext / Critical Edition
Description
The complete works of Fray Miguel de Guerau (1578-1639), a Hieronymite monk at the Monastery of San Miguel de los Reyes in Valencia, are preserved at the Hieronymite Monastery of San Lorenzo de El Escorial. Until now, none of his works have been published, despite the unique nature of some of them, especially the Introits with plainchant and the Passion , which is now being published.
The Passion according to St. John, for 4 and 6 voices, with the polyphonic chant of the Processus for 4 voices, is unique not only in the Escorial monastery but throughout Castile, where, unlike in Aragon, it was not customary to sing the Processus— that is, the Chronicler , who narrates the events of the Passion—in polyphony. It was more common for only short texts belonging to some of the characters (Pilate, the Pope, the Servants, etc.) to be sung in polyphony. The polyphony of the Processus and that of these characters (the Crowd ) are very different and are therefore found in separate books. Interspersed with these two different polyphonies is the Cantus Passionis in plainchant, which is the part sung by Christ.
This edition presents these three sources in a single volume, greatly facilitating interpretation for different groups of singers. This single-volume presentation is a first and represents a complete publishing innovation. It includes the original Cantus Passionis , without any transcription, plus the two polyphonic works presented differently in their transcription and in the contrast between the ink intensity. The aim is to contribute to the study of this genre of music, which has been scarcely published or studied in Spain despite its long tradition.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
