English Saints' Offices - Volume 3
Early English Church Music Volume 70
Expected to ship in 1-2 weeks.
Shipping Policy- Editor: David Hiley
- Binding: Hardcover
- ISMN:
- Size: 9.6 x 12.4 inches
Description
A Major addition to the plainsong subseries of Early English Church Music, and the first tripartite collection of music in the edition, EC volumes 68–70 present transcriptions from over forty cycles of liturgical chants for the Office hours, in alphabetical listing and with English translations by Henry Howard, and comprising over 1,300 individual chants composed in England from the tenth to the fifteenth centuries. While the history and context of the veneration of saints has been extensively studied, the aim of these volumes, drawing on the lifetime's expertise of the editor, is to enhance our knowledge of the melodies, to facilitate comparison between cycles, and to make possible a better appreciation of their character and relation both to one another and to older parts of the chant repertory.
EECM 70 continues and completes the overview of chant for the offices of English saints, from Oswald of Northumbria to Wulfstan of Winchester, and concludes with an Index of incipits for all items in the three-volume collection. of especial note are the cycles for St Thomas Becket of Canterbury, and of his Translation, for William of York, and the 12 responsory organa of GB-Ccc 473 for the office of Swithun of Winchester. in contrast, the single surviving hymn for Wulfhilda of Barking offers the shortest musical entry of the collection.
Contents:
- Oswald of Northumbria (I, II)
- Oswald of Worcester
- Oswin of Deira
- Pancras
- Peter the Apostle
- Richard Wych of Chichester
- Swithun of Winchester
- Thomas Becket of Canterbury
- Translation of Thomas Becket of Canterbury
- Thomas Cantilupe of Hereford
- William of York
- Wulfhilda of Barking
- Wulfstan of Worcester
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
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A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
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In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
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