Snider: the plum tree I planted still there
This item is made to order and typically ships within 2-3 weeks.
- Composer: Sarah Kirkland Snider (1973-)
- Instrumentation: Piano
- Work: the plum tree I planted still there
- Size: 8.9 x 12.0 inches
Description
Composer note
After commissioning the composers for his "Inheritances" project, the pianist Adam Tendler sent us a beautiful essay he'd written about his father and the aftermath of his passing. Among the many images in it that moved me was this one, which lingered in my mind: "I went to the house where I grew up, where my dreams still take place, the lawn totally overgrown, the plum tree I planted still there and the blueberry bushes he once planted, once so bountiful that strangers would visit with empty containers to pick them, still separating our property from the next house…" After losing my father, I, too, visited the house where I grew up, approaching it through the woods behind our backyard so that I could see the Sycamore trees I climbed as a child while my father did yardwork in his cutoff jeans. There is something both surreal and grounding about visiting natural landscapes from our past. Trees and plants often keep growing even after we abandon them, after our loved ones depart, after we depart. This piece is a short meditation on the singular ache they can inspire.
— Sarah Kirkland Snider
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.


