Enescu: Symphonie Concertante in B Minor, Op. 8
Expected to ship in 2-3 weeks.
Shipping Policy- Composer: Georges Enescu (1881-1955)
- Format: Full Score - Format guide
- Instrumentation: Cello, Orchestra
- Work: Symphonie concertante in B Minor, Op. 8
- Pages: 104
Description
George Enescu's Symphonie Concertante for cello and orchestra, Op. 8, occupies a significant position among the composer's early orchestral works. Completed on 2 November 1901, at a point when Enescu was consolidating the musical training acquired in Vienna and Paris, the score already displays a notable independence of conception. Although the work assigns an extended and technically substantial role to the solo cello, it resists classification as a concerto in the conventional nineteenth-century sense. The solo instrument is not set against the orchestra as an antagonistic or primarily virtuosic presence; rather, it is integrated into a symphonic argument whose continuity, breadth, and thematic interdependence are essential to the work's design.
The designation Symphonie Concertante is therefore more than a generic label. It describes a formal and aesthetic position between symphony and concerto, a position in which soloistic prominence is subordinated to large-scale cohesion. Enescu avoids the expected alternation of orchestral ritornello, solo display, and cadential confrontation. Instead, the cello participates in a continuous process of exposition, transformation, and recollection. The two principal sections, marked Assez lent – Un peu plus animé and Majestueux, are best understood as components of a single expressive trajectory rather than as self-contained movements. Within this trajectory the cello functions as commentator, catalyst, and bearer of extended melodic continuity.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Enescu: Symphonie Concertante in B Minor, Op. 8
