Orchestral Excerpts for Flute - Volume 2
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- Composers: Wolfgang Amadeus Mozart (1756-1791), Walter Piston (1894-1976), Richard Strauss (1864-1949), Hector Berlioz (1803-1869), Johann Sebastian Bach (1685-1750), Robert Schumann (1810-1856), Gustav Mahler (1860-1911), John Williams (1932-), Ludwig van Beethoven (1770-1827), Pyotr Ilyich Tchaikovsky (1840-1893), Charles Gounod (1818-1893), Igor Stravinsky (1882-1971), Dmitri Shostakovich (1906-1975), Nikolai Rimsky-Korsakov (1844-1908), Béla Bartók (1881-1945)
- Editor: Jeanne Baxtresser
- Piano reduction: Teddy Niedermaier
- Instrumentation: Piano Reduction, Flute
- ISBN:
- Size: 9.1 x 11.9 inches
- Pages: 180
Description
Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute - Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky.
Johann Sebastian Bach
Mass in B Minor, BWV 232
Part IV, No. 24, Benedictus, bars 1-12
Béla Bartók
Concerto for Orchestra
Mvt. I, bars 1-35
Mvt. IV, bars 1-25
Mvt. IV, pickup to bar 136 through 151
Mvt. V, bars 26-148
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92
Mvt. I, bars 38-88
Mvt. II, bars 131-183
Hector Berlioz
Symphonie Fantastique, Op. 14
Mvt. I, 2 bars before [2] through [3]
Mvt. I, 4th bar of [5] through 3rd bar of [6]
Mvt. III, 1½ bars before [37] through 5th bar of [38]
Charles Gounod
Petite Symphonie
Mvt. II, bars 1-29
Mvt. II, bars 60-89
Gustav Mahler
Symphony No. 9
Mvt. I, 2 bars before Misterioso through 3rd bar of Nicht mehr so langsam
Mvt. I, beat 4 of Sehr zögernd through 3rd bar after Wieder a tempo
Symphony No. 10
Mvt. V, bars 27-45
Wolfgang Amadeus Mozart
The Magic Flute, K. 620
Act I, No. 8, Finale, bars 1-24 of "Wie stark ist nicht dein Zauberton!"
Act II, No. 21, Finale, bars 1-10
Walter Piston
The Incredible Flutist
"The Flutist," Lento after [E] through end of solo
Nicolai Rimsky-Korsakov
Scheherazade
Mvt. II, 3 before [Q] through 13th of [Q]
Mvt. III, pickups to 8 before [B] to 1 before [B]
Mvt. III, pickups to [M] through [N]
Mvt. IV, 4th bar of [T] through Più stretto
Robert Schumann
Symphony No. 1, "Spring,", Op. 38
Mvt. I, bars 14-23
Mvt. I, bars 158-193
Mvt. IV, bars 174-206
Dimitri Shostakovich
Symphony No. 5, Op. 47
Mvt. I, [13] - [15]
Mvt. I, [39] through 3rd bar of [41]
Mvt. II, pickup to 6 bars before [59] through 8th bar of [60]
Symphony No. 6, Op. 54
Mvt. I, [16] through 3rd bar of [18]
Mvt. I, 4 bars before [23] through [26]
Mvt. I, 3 bars before [27] through 7th bar of [27]
Symphony No. 15, Op. 141
Mvt. I, bar 1 through 4 bars after [4]
Mvt. I, 8th bar of [46] through [50]
Richard Strauss
Der Rosenkavalier, Op. 59
Act I, 4 bars before [230] through [233]
Act I, [251] - [253]
Don Juan, Op. 20
Bar 1 through [B]
[K] through 3rd bar of [L]
Ein Heldenleben, Op. 40
6 bars before [14] through [14]
3rd bar of [15] through 8th bar of [15]
2nd bar before [41] through 11th bar of [41]
Symphonia Domestica, Op. 53
8 bars before [22] through [24]
Igor Stravinsky
The Firebird
Pas de Deux (Firebird and IVan Tsarevitch), 1945 version, 1 bar before [25] through 4th bar of [33]
"Appearance of the Thirteen Enchanted Princesses," 1910 version, 4 bars before [52] through 2nd bar of [53]
Jeu de Cartes
Variation IV: [75] - [79]
Symphonies of Wind Instruments
2 bars before [6] through [9]
3 bars before [14] through 3rd bar of [26]
[28] to the 3rd bar of [37]
Peter Illytch Tchaikovsky
The Nutcracker, Op. 71
Act II, Chinese Dance, complete
Dance of the Mirlitons, bar 1 to [C]
Sleeping Beauty, Op. 66
Act III, No. 25, Pas de Quatre
Swan Lake, Op. 20
Act III, No. 19, Pas de Six [32] - [33]
Act III, No. 19, [35] - [36]
John Williams
Harry Potter and the Prisoner of Azkaban
Suite for Orchestra, "Hagrid's Friendly Bird," bars 127-151
Star Wars
Suite for Orchestra, Princess Leia's theme, pickup to bar 15 through bar 33
War Horse
Dartmoor, 1912, bars 1-15
Dartmoor, 1912, pickup to bar 131 through bar 144
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Orchestral Excerpts for Flute - Volume 2
