Organo pleno
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- ISMN:
- Size: 11.7 x 8.3 inches
- Pages: 176
Description
The practical collection contains ca. 140 compositions (preludes, fugues, toccatas and versettes) from the 17th and 18th centuries which, due to their relatively modest length, are perfectly suitable as introductory and closing organ music. This volume offers a broad stylistic variety and also contains interesting rarities. The pieces in this collection range from easy to mid-level difficulty and for the most part can be played manualiter.
Contents:
- Anonymus Praeludium in C
- Johann Sebastian Bach Praeludium in C BWV 943
- Michel Corrette Plein jeu in C / V. Ton
- Johann Caspar Ferdinand Fischer Praeludium I et Fugue in C
- Johann Anton Kobrich Praeambulum et Versus in C / V. Ton
- Johann Krieger Praeludium in C
- Nicolas-Antoine Lebègue Symphonie in C
- Nicolas-Antoine Lebègue Prélude in C / V. Ton
- Giovanni Battista Martini Toccata in C
- Georg Muffat Versus in C
- Johann Pachelbel Toccata in C Major
- Johann Baptist Peyer Praeambulum in C
- Johann Caspar Simon Praeludium et Fugue in C
- Anonymus (Salzburger Orgelbuch) Vorspiel in C
- Anonymus (Salzburger Orgelbuch) Praeludium in C
- Friedrich Wilhelm Zachow Praeludium and Fugue in C
- Domenico Zipoli Versi in C
- Johann Caspar Ferdinand Fischer Praeludium XX et Fugue in c
- Johann Krieger Praeludium in c
- Giovanni Battista Martini Toccata in c
- Johann Caspar Simon Praeludium et Fugue in c
- Michel Corrette Plein jeu in D / VII.Ton
- Johann Caspar Ferdinand Fischer Praeludium septimum et Fugue in D / VII. Ton Praeludium septimum et Fugue in D / VII. Ton
- Johann Erasmus Kindermann Praeambulum in D
- Johann Anton Kobrich Praeambulum et Versus in D / VII. Ton
- Nicolas-Antoine Lebègue Plein jeu in D / VII. Ton
- Abraham van den Kerckhoven Versi in D / VII. Ton
- Nicolas-Antoine Lebègue Symphonie in D
- Anonymus (Salzburger Orgelbuch) Vorspiel in D
- Josef Ferdinand Norbert Seger Toccata VII in D / VII. Ton
- Johann Caspar Simon Praeludium et Fugue in D
- Johann Baptist Peyer Praeambulum in D
- Guillaume-Gabriel Nivers Prélude in d / I. Ton
- Anonymus Toccata in d
- Johann Sebastian Bach Praeludium in d
- Johann Ernst Eberlin Praeludium et Versus in d / I. Ton
- Johann Anton Kobrich Praeambulum et Versus in d
- Abraham van den Kerckhoven Versus in d / I. Ton
- Domenico Zipoli Versus in d
- Nicolas-Antoine Lebègue Plein jeu in d / I. Ton
- Georg Muffat Toccata prima et due Fugae in d / I. Ton
- Josef Ferdinand Norbert Seger Toccata I in d / I. Ton
- Johann Caspar Simon Praeludium et Fugue in d
- Johann Baptist Peyer Praeambulum et Fugue in Es
- Johann Caspar Ferdinand Fischer Praeludium V et Fugue in Es
- Johann Caspar Ferdinand Fischer Praeludium VIII et Fugue in E
- Johann Ernst Eberlin Praeludium et Versus in e / IV. Ton
- Johann Caspar Ferdinand Fischer Praeludium VII et Fugue in e
- Johann Xaver Nauss Praeambulum in e / IV. Ton
- Johann Caspar Ferdinand Fischer Praeludium VI et Fugue in e
- Johann Krieger Praeludium in e
- Guillaume-Gabriel Nivers Plein jeu in e / IV. Ton
- Johann Baptist Peyer Praeambulum et Fugue in e / IV. Ton
- Nicolas-Antoine Lebègue Prélude in e / IV. Ton
- Josef Ferdinand Norbert Seger Toccata IV in e / IV. Ton
- Johann Caspar Simon Praeludium et Fugue in e
- Franz Xaver Anton Murschhauser Praeambulum in F / XII. Ton
- Anonymus Praeludium in F
- Johann Caspar Ferdinand Fischer Praeludium X et Fugue in F
- Johann Erasmus Kindermann Praeambulum in F / XI. et XII. Ton
- Johann Anton Kobrich Praeambulum in F / VI. Ton
- Johann Krieger Praeludium in F
- Nicolas-Antoine Lebègue Prélude in F / VI. Ton
- Nicolas-Antoine Lebègue Prélude et Fugue grave in F / VI. Ton
- Georg Muffat Toccata sexta et Fugue I-III in F / VI. Ton
- Georg Muffat Versus in F
- Johann Baptist Peyer Praeambulum et Fugue in F / VI. Ton
- Johann Caspar Simon Praeludium et Fugue in F
- Josef Ferdinand Norbert Seger Toccata VI in F / VI. Ton
- Anonymus (Salzburger Orgelbuch) Vorspiel in F
- Anonymus (Salzburger Orgelbuch) Vorspiel in F
- Johann Speth Praeambulum et Versus in F / VI. Ton
- Abraham van den Kerckhoven Versus in F / VI. Ton
- Domenico Zipoli Versi in F
- Johann Caspar Ferdinand Fischer Praeludium IX et Fugue in f
- Johann Baptist Peyer Praeambulum in f
- Georg Berg Voluntary in G (Op. 2, No. 9)
- Michel Corrette Plein jeu in G / VIII. Ton
- Johann Ernst Eberlin Praeludium et due Versi in G / VIII. Ton
- Johann Caspar Ferdinand Fischer -Finale in G / VIII. Ton_
- Johann Caspar Ferdinand Fischer Praeludium XIII et Fugue in G
- Johann Anton Kobrich Praeambulum in G / VIII. Ton
- Johann Krieger Praeludium in G
- Nicolas-Antoine Lebègue Plein jeu in G / VIII. Ton
- Nicolas-Antoine Lebègue Symphonie in G
- Giovanni Battista Martini Toccata in G
- Gottlieb Muffat Toccata octava et Fugue in G
- Johann Pachelbel Praeludium in G
- John Worgan -Voluntary in G_
- Johann Caspar Simon Praeludium et Fugue in G
- Johann Speth Praeambulum et Versus in G / VIII. Ton
- Anonymus (Salzburger Orgelbuch) Vorspiel in G
- Anonymus (Salzburger Orgelbuch) Praeludium in G
- Johann Ernst Eberlin Praeludium et Versus in g / II. Ton
- Johann Caspar Ferdinand Fischer Praeludium XII et Fugue in g
- Abraham van den Kerckhoven Versi in g / II. Ton
- Johann Erasmus Kindermann Praeambulum in g / I. et II. Ton
- Johann Krieger Praeludium in g
- Johann Krieger Praeludium in g
- Nicolas-Antoine Lebègue Plein jeu in g / II. Ton
- Nicolas-Antoine Lebègue Prélude in g / II. Ton
- Guillaume-Gabriel Nivers Prélude in g / II. Ton et I. Ton transpositum
- Johann Pachelbel Toccata in g
- Johann Baptist Peyer Praeambulum et Fugue in g / II. Ton
- Johann Caspar Simon Praeludium et Fugue in g
- Josef Ferdinand Norbert Seger Toccata II in g / II. Ton
- Johann Speth Praeambulum in g / II. Ton
- John Stanley Voluntary in g
- John Stanley Voluntary in g
- Johann Caspar Ferdinand Fischer Praeludium XIV et Fugue in As
- Anonymus (Salzburger Orgelbuch) Praeludium in A
- Johann Caspar Ferdinand Fischer Praeludium XVI et Fugue in A
- Johann Pachelbel Praeludium in A
- Gottlieb Muffat Toccata decima et Fugue in A
- Johann Caspar Simon Praeludium et Fugue in A
- Anonymus (Salzburger Orgelbuch) Vorspiel in A
- Johann Ernst Eberlin Praeludium in a / III. Ton
- Johann Caspar Ferdinand Fischer Praeludium tertium in a / III. Ton
- Abraham van den Kerckhoven Versus in a / III. Ton
- Johann Krieger Toccata in a
- Nicolas-Antoine Lebègue Prélude et Fugue in a / III. Ton
- Nicolas-Antoine Lebègue Prélude in a / III. Ton
- Johann Caspar Simon Praeludium et Fugue in a
- Johann Speth Praeambulum et Versi in a / III. Ton
- John Stanley Voluntary in a
- John Stanley Voluntary in a
- Gottlieb Muffat Toccata tertia in a / III. Ton
- Johann Caspar Ferdinand Fischer Praeludium XVII et Fugue in B
- Johann Erasmus Kindermann Praeambulum in B / V. et VI. Ton
- Johann Kuhnau Praeludium et Fugue in B
- Nicolas-Antoine Lebègue Symphonie in B
- Gottlieb Muffat Toccata duodecima et Fugue in B
- Johann Pachelbel Toccata et Fugue in B
- Johann Caspar Simon Praeludium et Fugue in B
- Anonymus (Salzburger Orgelbuch) Vorspiel in B -Johann Caspar Ferdinand Fischer Praeludium XIX et Fugue in H
- Johann Caspar Ferdinand Fischer Praeludium XVIII et Fugue in h
- ,Johann Baptist Peyer Praeambulum et Fugue in h
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Organo pleno
