Nishimura: Nurture (Version for Marimba)
Expected to ship in 2-3 weeks.
- Composer: Cait Nishimura (1991-)
- Instrumentation: Marimba
- Work: Nurture (2021)
- Size: 8.9 x 12.0 inches
- Pages: 12
Description
(2021) 5'45"
Nurture: to help, to encourage, to further growth, to care for, to nourish.
This piece was commissioned by Adam Collins, who asked me to write a marimba piece inspired by the concept of helping others. I feel that the most helpful thing we can do for others is to see them and love them just as they are. And, to truly understand the power and impact of this action, we must learn to do this for ourselves. Fred Rogers said it best: "You can't really love someone else unless you really love yourself first."
Nurture was created during a period of time in which I felt a real sense of progress in my ongoing journey of self-love. I have prioritized nurturing myself as a person and as an artist. I am learning to love my own voice. I'm remembering what brought me happiness as a child, and I'm reconnecting with those parts of myself. This has helped me recenter and refocus so that I can offer more support to others, both human and non-human.
My goal for this project was to create something that would feel good to play and peaceful to listen to. Something that would allow the performer to reconnect with the joy of making and sharing music. A prompt for self-reflection, and a reminder to nurture your own curiosity, happiness, and growth.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

