Maud Powell Favorites
Expected to ship in 1-2 weeks.
Shipping Policy- Composer: Maud Powell (1867-1920)
- Editor: Rachel Barton Pine
- Format: Books & CD
- Instrumentation: Violin
- Size: 8.9 x 11.8 inches
Description
43 rare masterworks for the violin
Contents:
Volume One
- Historical Introduction and Annotations
- Preface
- Acknowledgments
- A Word about Sources
- Key to Abbreviations
- Bibliography
- Maud Powell, "The Grand Woman of American Music"
- Maud Powell's Letter Concerning Herself as a Musician
- Pioneering the Violin Recital in America
- Recital Programming
- The Role of Transcriptions
- Recordings
- Program Notes
- Characteristics of Maud Powell's Transcriptions
- Missing Transcriptions
- Maud Powell's Legacy through the Violin Recital
- Championing Music by American Composers
- Commentary on the Music, Parts I–VI
Volumes Two, Three and Four
Music
Part I. Maud Powell's Transcriptions of European Music
- Ludwig van Beethoven (1770–1827) / Maud Powell Minuet in G Major, WoO 10, No. 2
- Luigi Boccherini (1743–1805) / Maud Powell Six Quintets, Op. 11, String Quintet No. 5 in E Major, G. 275, III: Minuet
- Frédéric Chopin (1810–1849) / Maud Powell Waltz No. 6 in D-flat Major, Op. 64, No. 1, "Minute"
- François Couperin (1668–1733) / Maud Powell Pièces de clavecin, Book I, Première Ordre in G Minor, No. 17: La fleurie ou La tendre Nanette / La Fleurie
- Antonín Dvořák (1841–1904) / Fritz Kreisler / Revised and adapted by Maud Powell Eight Humoresques, Op. 101, No. 7: Humoresque in G-flat Major
- Antonín Dvořák (1841–1904) / Maud Powell Zigeunermelodien (Gypsy Melodies), Op. 55, IV: Als die alt Mutter / Songs My Mother Sang
- Christoph W. Gluck (1714–1787) / Maud Powell Orphée et Eurydice, Act II, Scene ii: Dance of the Blessed Spirits / Melody
- Adolf Jensen (1837–1879) / Maud Powell Serenade (Ständchen), Op. 32, No. 9 / Serenata
- Jean-Paul-Gilles Martini (1741–1816) / Maud Powell Love's Delight (Plaisir d'amour)
- Jules Massenet (1842–1912) / Maud Powell Poèmes pastorale, No. 4: Crépuscule / Twilight
- Selim Palmgren (1878–1951) / Maud Powell Kevät (Spring), Op. 27, No. 4: Kevätyö (May Night)
- Nikolay A. Rimsky-Korsakov (1844–1908) / Maud Powell Sadko: Song of the Indian Trader Chanson Indoue (Song of India)
- Jean Sibelius (1865–1957) / Maud Powell King Christian II Suite, Op. 27, III: Musette
- Jean Sibelius (1865–1957) / Friedrich Hermann / Revised and adapted by Maud Powell Valse Triste, Op. 44, No. 1
Part II. Maud Powell's Transcriptions of American Music
- Stephen Collins Foster (1826–1864) / Luke Schoolcraft (1847–1893) / Henry Clay Work (1832–1884) / Maud Powell Plantation Melodies: My Old Kentucky Home (Foster); Shine On (Schoolcraft); Old Black Joe (Foster); Kingdom Comin' (Work)
- Dan Emmett (1815–1904) / Maud Powell (1867-1920) after Herman Bellstedt Jr. (1858–1926) Caprice on Dixie, for Violin (unaccompanied) Includes annotation for No. 26
- H(art) P(ease) Danks (1834–1903) / Maud Powell Silver Threads Among the Gold
Part III. Maud Powell's Transcriptions of African-American Music
Introduction 18. Samuel Coleridge-Taylor (1875–1912) / Maud Powell Twenty-Four Negro Melodies, Op. 59, No. 10: Deep River 19. J(ohn) Rosamond Johnson (1873–1954) / Maud Powell Nobody Knows the Trouble I See
Part IV. Maud Powell's Original Cadenza for the Brahms Violin Concerto
- Maud Powell (1867–1920) Cadenza for the first movement of the Brahms Violin Concerto in D Major, Op. 77 Manuscript facsimile
- Maud Powell (1867–1920) Cadenza for the first movement of the Brahms Violin Concerto in D Major, Op. 77 Edited by Rachel Barton Pine
Part V. Music Analyzed or Edited by Maud Powell
- Maud Powell's Story and Analysis of Henri Vieuxtemps' Arkansas Traveller Henri Vieuxtemps (1820–1881) Bouquet américain, Op. 33, No. 6: Arkansas Traveller and Banjo Tune
- Henryk Wieniawski (1835–1880) Légende for violin and piano, Op. 17 Edited and with an analytical lesson by Maud Powell
Part VI. Original Music and Transcriptions Dedicated to, Commissioned by, or Closely Associated with Maud Powell
- Marion Eugenie Bauer (1882–1955) Up the Ocklawaha, Op. 6
- Mrs. H. H. A. Beach (Amy Marcy Cheney Beach) (1867–1944) Romance for Violin and Piano, Op. 23
- Herman Bellstedt Jr. (1858–1926) Caprice on Dixie, for Violin (unaccompanied) See annotation for No. 16
- Cecil Burleigh (1885–1980) Four Rocky Mountain Sketches, Op. 11: At Sunset, The Rapids, Up the Cañon, The Avalanche
- Henri Ern (1863–1923) Menuet pour Violon et Piano, Op. 39, No. 1
- Harry Mathena Gilbert (1879–1964) Marionettes (Scherzo)
- Percy Aldridge Grainger (1882–1961) Molly on the Shore
- Molly on the Shore violin part revised by Maud Powell
- Edwin A. Grasse (1884–1954) Scherzo capriccioso, Op. 19
- Edwin A. Grasse (1884–1954) Wellenspiel (Waves at Play)
- Edwin A. Grasse (1884–1954) in a Row Boat (Im Ruderboot)
- Edwin A. Grasse (1884–1954) Polonaise No. 1 in C Major
- Edvard Grieg (1843–1907) / Sol Marcosson (1869–1940) To Spring (An den Früling), Op. 43, No. 6
- William Henry Humiston (1869–1923) Suite for Violin and Orchestra in F-sharp Minor
- Henry Holden Huss (1862–1953) Romance
- Max Liebling (1845–1927) Fantasia on Sousa Themes Violin part edited by Rachel Barton Pine
- Arthur Loesser (1894–1969) California (Humoresque) (On a Tune by Paladilhe)
- Edward A. MacDowell (1860–1908) / Arthur Hartmann (1881–1956) Woodland Sketches, Op. 51: To a Wild Rose
- Ede Poldini (1869–1957) / Arthur Hartmann (1881–1956) Marionnettes, No. 2: Poupée Valsante (Waltzing Doll)
- Carl Venth (1860–1938) Aria
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
