Graun: Trio Sonata in D Major
Expected to ship in 2-3 weeks.
Shipping Policy- Composer: Carl Heinrich Graun (1704-1759)
- Instrumentation (this edition): Flute, Harpsichord
- Originally for: Basso continuo, Flute/Violin I, Flute/Violin II
- Work: Trio Sonata in D Major, GraunWV B:XV:55
- ISMN:
Description
136 trios for two melody instruments and basso continuo have been handed down under the name ‘Graun'. The impressive number of these works, their widespread circulation and, not least, their artistic quality attest to the significant role that the genre played in the oeuvre of the brothers Carl Heinrich and Johann Gottlieb Graun. The late flowering of the trio sonata in northern Germany – a genre significantly influenced by Arcangelo Corelli's classical works – was helped along by their compositions.
Graun's Trio in D Major, WV B:XV:55, has been preserved in five copies of the full score and a total of eleven sets of parts of various origins. What is remarkable is not only the large number of surviving sources, but also the fact that the work was evidently already in circulation in Berlin as early as the mid-18th century, in various instrumentations, both at court and amongst music lovers. The piece is most commonly preserved in the version for two flutes and basso continuo, followed by the versions for obbligato harpsichord and flute. However, a copy for two violins and basso continuo has also survived. The work's former popularity is further evidenced by the fact that Johann Joachim Quantz quotes various passages from it in his Solfeggi Pour La Flute Traversiere.
The primary aim of this edition was to produce a version for solo voice and obbligato harpsichord, an instrumentation that was extremely popular in Berlin in the mid-18th century. Nevertheless, the parts for both solo instruments (and bass) included with this edition should make it possible to perform the piece in the other surviving instrumentations as well.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
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Full Score
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Hardcover
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Orchestral Parts
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
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Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
