Formative Works for The Flamenco/Classical Guitar Tradition
Expected to ship in 1-2 weeks.
Shipping Policy- Format: Book & Audio Access - Format guide
- Instrumentation: Guitar
Description
This book expands the repertoire and bridges the gap between Volumes 1 and 2 of the introductory-intermediate guitar method, The Flamenco/Classical Guitar Tradition.
Originally conceived by pioneering Mel Bay flamenco guitar author Juan Serrano and his former student, Corey Whitehead—the series is perhaps the first method to introduce the concept that flamenco and classic guitar techniques share common ground that should be familiar to all nylon-string guitarists.
For decades, there has been a perceived division between the two styles as classical players usually have no idea of how rasgueado patterns, alzapúa and trémolo techniques or a Bulerias compás are performed. These techniques, common to flamenco players for over a century, have heretofore been complete mysteries to classical guitarists.
It's past time to end that division. Now, with the added expertise and virtuosity of Ricardo Marlow, The Flamenco/Classical Guitar Tradition finally brings the two schools of guitar together in one authoritative comprehensive approach. Written in standard notation to facilitate sight reading, this book includes progressive foundational classic guitar studies, short flamenco palos (regional song and dance forms) and more than 60 online audio tracks to help bring your flamenco/classical playing to a professional level.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
