Canadian Opera Anthology for Soprano - Volume 2
Expected to ship in 1-2 weeks.
Shipping Policy- Editor: Allen Clark
- Instrumentation: Piano, Soprano
Description
The basis for this collection is from the doctoral thesis of soprano, Dr. Stephanie Nakagawa. Stephanie received the Canadian Music Centre's Barbara Pentland Award of Excellence for this research and has performed lecture recitals across Canada to promote the works within this anthology. Allen Clark, editor on this project, has much experience in music performance and classical music in general, being a retired professional violist, and former Coordinator of Composer Services at the National Office of the Canadian Music Centre. He is also a retired professional copyist who was awarded second prize in the Paul Revere Award for professional copyists.
Contents:
- Smiling Hope from The Widow – Doux espoir de La Veuve, 1881, Calixa Lavallée & Frank H. Nelson; French lyrics – Eugène Sauvé 2001
- Deirdre's Song from Deirdre, Healey Willan & John Coulter 1946/1965
- Autumn Song from Grant, Warden of the Plains, Murray Adaskin & Mary Elizabeth Bayer 1967
- The Seasons of Her Year from Return of the Native, Jean Coulthard & Edna Baxter 1979
- Daisy's Aria from The Shivaree, John Beckwith & James Reaney 1982
- L'oiseau qu'est tout aimable prit sa volée from Évangéline et Gabriel, Marc Gagné 1987-1990
- Camilla's Lament from Nosferatu, Randolph Peters & Maer Gronsdal 1993
- May God Forgive Him from Filumena, John Estacio & John Murrell 2003
- No, You Don't Understand from Transit of Venus, Victor Davies & Maureen Hunter 2007
- This is the Truth from Lillian Alling, John Estacio & John Murrell 2010
- Cecelia's Aria from The Inventor, Bramwell Tovey & John Murrell 2011
- Solana's Song from When the Sun Comes Out, Leslie Uyeda & Rachel Rose 2014
- Past and Present from Dragon's Tale, Chan Ka Nin & Mark Brownell 2019
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
