Cabanilles: Keyboard Music from the Felanitx Manuscripts - Volume 3
In stock and typically ships within 1 business day.
Shipping Policy- Composer: Juan Bautista Cabanilles (1644-1712)
- Editor: Nelson Lee
- Instrumentation: Organ
- ISBN:
- Size: 8.9 x 11.8 inches
Description
CEKM 48 is a five-volume edition of the principal sections of two organ manuscripts which presumably originated in Valencia circa 1695, but eventually made their way to Mallorca. Most of the contents are by the well-known composer Juan Cabanilles, yet approximately half of the edition consists of previously unpublished music. Volume 3 contains mostly large works; all of these are previously published, but in some cases from other sources or in inaccurate editions. The other four volumes comprise mostly shorter liturgical versets, grouped by church modes. Cabanilles devoted great care and imagination to the composition of such versets, although they have been relatively neglected by modern editors; this edition thus fills an important gap in our knowledge of the foremost organ composer of the Iberian baroque.
Contents:
- Foreword xi
- Introduction xiii
- Editorial Methods xxviii
- Critical Report xxxiii
- Appendix Volume 1 and Volume 2 Updates
- Errata for Volume 1 xlvii
- Errata for Volume 2 xlviii
- Alternate Sources for Volume 1 xlviii
MUSIC
- Tiento de primero tono. Lleno. Cabanillas 3
- Tiento de segundo tono. Por Gesolreut. De dos tiples y dos baxos. Cabanillas 12
- Tiento, o tocata de tercero tono. [Froberger] 32
- Tiento de cuarto tono de dos tiples y dos baxos. Cabanillas 41
- Tiento de quinto tono. Lleno. Sobre Ut Re Mi Fa Sol La. Cabanillas 54
- Tiento de sexto tono lleno. Sin passo. Cabanillas 74
- Tiento de septimo tono. Trasportado por Delasolre. Cabanillas 87
- Verso de septimo tono. Cabanillas 101
- Tiento de octavo tono. Partido de mano ysquierda. Cabanillas 102
- Tiento de octavo tono. Punto alto. De Falsas. De Cabanillas 122
- Verso de octavo tono. Cabanillas 127
- Tiento de primero tono. Partido de mano drecha. Cabanillas 128
- Tiento de segundo tono. Por Gesolreut. Partido de mano drecha. Cabanillas 141
- Tiento de tercero tono. Partido de mano isquierda. Cabanillas 157
- Tiento de cuarto tono. Partido de mano isquierda. Cabanillas 176
- Tiento de quinto tono. Partido de mano drecha. Cabanillas 190
- Tiento de sexto tono. De Batalla y Clarines. Cabanillas 206
- Tiento de septimo tono. Por Cesolfaut. Sobre el Himno de los Apostoles. Cabanillas 222
- Tiento de octavo tono de Clarines. Cabanillas 237
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
Cabanilles: Keyboard Music from the Felanitx Manuscripts - Volume 3
