French Choral Music
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- Composers: Claude Goudimel (1510-1572), Guillaume Bouzignac (1587-1643), François Cosset (1610-1673), Henri Hardouin (1727-1808), Philippe Mazé (1954-), Pierre de la Rue (1452-1518), Denis Rouger (1961-), Louis-Joseph Marchand (1669-1732), Yves Castagnet (1964-), Anton Reicha (1770-1836), Orlande de Lassus (1530-1594), Marc-Antoine Charpentier (1643-1704), Louis Vierne (1870-1937), Jean-Philippe Rameau (1683-1764), Théodore Dubois (1837-1924), Charles Gounod (1818-1893), Adolphe Adam (1803-1856), Charles-Marie Widor (1844-1937), Camille Saint-Saëns (1835-1921), César Franck (1822-1890), Henry Du Mont (1610-1684), Giacomo Meyerbeer (1791-1864), André Campra (1660-1744), Gabriel Fauré (1845-1924), Daniel Auber (1782-1871), Michel-Richard Delalande (1657-1726)
- Editor: Denis Rouger (1961-)
- Instrumentation (this edition): Keyboard, SATB Choir
- Originally for: Organ, Piano, Voice, High Voice, SATB Choir, Soprano, Medium Voice
- Work Languages: French, Latin
- ISMN:
- Size: 9.1 x 12.6 inches
- Pages: 180
Description
The Choral Collection French Choral Music is a real treasure trove for choirs to explore music from France. The collection contains 45 sacred compositions for mostly four-part mixed choir, all of which were composed in France. in compiling the collection the editor Denis Rouger, Professor of Choral Conducting at the Musikhochschule Stuttgart, has drawn on his extensive experience as Cantor at Notre-Dame and Sainte-Madeleine in Paris, as well as on his work with many professional and amateur ensembles in Germany and France.
The result is an extremely varied choral collection with works from the Renaissance to the present day. in addition to well-known works by Marc-Antoine Charpentier, Gabriel Fauré, and Camille Saint-Saëns, the collection includes first editions of previously largely unknown works by composers such as Adolphe Adam and Charles-Marie Widor. The choral director's volume includes a CD with recordings of selected works, sung by the figure humaine chamber choir conducted by the editor, which will help with learning and rehearsing the repertoire.
Works:
- Auber: Agnus Dei No. 2, AWV 65
- Campra: Agnus Dei (Missa Ain D Majorem Dei Gloriam)
- Saint-Saëns: Agnus Dei (Messa de Requiem), Op. 54
- Delalande: Alleluja (O filii et filiae), S. 52
- M.A. Charpentier: Alleluja (O sacrum convivial), H 235
- Saint-Saëns: Ave Marie, Op. 145
- Gounod: Ave verum, CG 155
- Fauré: Ave verum, Op. 65, No. 1, N 123
- Saint-Saëns: Ave verum
- Fauré: Benedictus (1880)
- Adam: Cantique de Noël & Minuet, chrétiens
- Gounod: Crucifixus (Messe solennelle de sainte Cécile), CG 56
- Franck: Domine, non secundum, CFF 213, FWV 66
- Goudimel: Donne secours
- Lassus: Du fond de ma pensée
- Lassus: De profundis clamavi
- Campra: Gloria (Missa Ain D Majorem Dei Gloriam)
- M.A. Charpentier: Gloria Patri (Magnificat), H 78
- M.A. Charpentier: Hymnum dicamus Domino (Extremum Dei Judicium), H 401
- Bouzignac: Jubilate Deo
- Cosset: Kyrie (Missa Eructavit Cor Meum)
- Auber: Kyrie No. 10
- Hardouin: Kyrie (Missa Jucundum Sit Eloquium Meum)
- Rameau: Laboravi, RCT 16
- Mazé: Messe mineure en ré
- Bouzignac: Noel, pastores
- T. Dubois: O quad suavis est
- T. Dubois: O sacrum convivium
- Rue: O salutaris hostia / Wir danken dir, o Gottes Lamm
- Meyerbeer: pater noster
- Goudimel: Que l'entreprise est belle
- Rouger: Sacris Solemniis (Da Pacem, Domine)
- Du Mont: Sanctus et Benedictus (Messe en plein-chant)
- Marchand: Sanctus et Benedictus (Missa Quis Ut Deus)
- Gounod: Sicut cervus, CG 148
- Bouzignac: Stella refulget
- T. Dubois: Tantum ergo
- Castagnet: Tantum ergo
- Vierne: Tantum ergo, Op. 2
- Widor: Te Christe
- Du Mont: Tollite hostias (Cantate Domino)
- Saint-Saëns: Tollite hostias (Oratorio de Noël)
- Reicha: Tout pénétrés de ta grandeur immense
- M.A. Charpentier: Transfige, dulcissime Jesu, H 251
- M.A. Charpentier: Tunc respexit Jesus Petrum (Le Reniement de St. Pierre), H 424
- Rouger: Veni, creator Spiritus
- Du Mont: Sanctus et Benedictus
- Marchand: Sanctus et Benedictus
- Gounod: Sicut serves, CG 148
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.