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  • Bärenreiter

    BA9105

    Schubert: Lieder - Volume 5

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    • Composer: Franz Schubert
    • Editor: Walther Dürr
    • Instrumentation: Piano, Voice
    • Work Language: German
    • ISMN: 9790006530540
    • Size: 9.1 x 11.8 inches
    • Pages: 148
    • Urtext / Critical Edition

    Description

    The lieder in this edition were composed in the years 1811 to 1814. The first, Hagars Klage, D 5, dated March 30, 1811, is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period, Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ("Klaglied", D 23), which the only one of these songs was published shortly after his death in November 1830 as Op. 131, No. 3. His apprentice work, as it were, was the major ballade "Der Taucher" (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ("Des Teufels Lustschloss", D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.

    Pieces

    • Hagars Klage, D 5
    • Leichenfantasie, D 7
    • Der Vatermörder, D 10
    • Klagelied, D 23, Op. post 131, No. 3
    • Misero pargoletto, D 42
    • Totengräberlied, D 44
    • Die Schatten, D 50
    • Verklärung, D 59
    • Der Taucher, D 77
    • Son fra l'onde, D 78
    • Adelaide, D 95
    • Trost. An Elisa, D 97
    • Erinnerungen, D 98
    • Andenken, D 99
    • Geisternähe, D 100
    • Erinnerung (Todtenopfer), D 101
    • Die Betende, D 102
    • Die Befreier Europas in Paris, D 104
    • Lied aus der Ferne (first version), D 107
    • Lied aus der Ferne (second version), D 107
    • Der Abend, D 108
    • Lied der Liebe, D 109
    • Romanze (first version), D 114
    • Romanze (second version), D 114
    • An Laura, als sie Klopstocks Auferstehungslied sang, D 115
    • Der Geistertanz, D 116