The Flamenco/Classical Guitar Tradition - Volume 3
Expected to ship in 1-2 weeks.
Shipping Policy- Format: Book & Audio Access - Format guide
- Instrumentation: Guitar
Description
The Flamenco/Classical Guitar Tradition - Volume 3 continues the groundbreaking series by Corey Whitehead and Ricardo Marlow, offering a deep exploration of form, analysis, and composition for flamenco guitar. This volume presents 21 original works—each crafted to illuminate the intricate relationship between tradition and personal expression within the flamenco art form. Designed for both flamenco and classical guitarists, this book serves as a comprehensive guide to composing, arranging, and performing solo guitar works grounded in the rhythmic and melodic canons of the great flamenco palos—including Soleares, Fandangos, Tangos, Siguiriyas, and Cante Mineros, among others.
Through detailed analyses and compositional insights, Whitehead and Marlow show how to honor the rules that define each palo while developing a personal aire—a distinct musical voice that remains true to tradition. Each piece is accompanied by commentary on its structural framework, harmonic vocabulary, and opportunities for variation, encouraging the student to progress from imitation to authorship.
From the dance-driven intensity of Bulerías and Farrucas to the lyrical freedom of Tarantas and Rondeñas, The Flamenco/Classical Guitar Tradition - Volume 3 bridges the worlds of accompaniment and solo performance. The book also explores the intersection of flamenco and classical traditions through reimagined works inspired by Bach, Sanz, and Fuenllana, blending Renaissance counterpoint with Andalusian rhythm.
A culmination of decades of performance, study, and collaboration, this volume invites the guitarist to become both scholar and creator, preserving the lineage of flamenco while shaping its future.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
The Flamenco/Classical Guitar Tradition - Volume 3
